Moody, memorable creep-out with strong writing and performances.

Rating: Null/10 (1 November 2002)

This ground breaking, starkly filmed thriller stands for many as one of the most terrifying films of all time. (Conversely, a faction of agnostic viewers are left with a less jolting experience, sometimes even finding the film funny!) Quite explicit for its time, it raised the bar in film-making for gore and realism and adult horror and has been emulated many times. However, it is set apart by its well-written (Oscar-winning, in fact) script and realistic performances. Burstyn is an actress who begins to sense unusual behavior in her preteen daughter (Blair.) The bizarre symptoms (open sores, violent thrashing, etc...) escalate as Burstyn seeks help from all conventional avenues. Finally, she determines that Blair is possessed by Satan and must be exorcised. Miller is a troubled priest whose own problems pale in comparison with the dilemma facing Burstyn. When things get worse instead of better, it is up to legendary priest Von Sydow to attempt to rid the child of the demons inside her. The sense of fear and dread is aided by the cold, claustrophobic settings and the use of the music 'Tubular Bells' during key moments. The visuals are primitive by today's standards, but still provide jolts, notably Blair's explosive green vomit. Her celebrated 360 degree head turning has lost it's punch now. The film is packed with gross-out moments and shockingly blasphemous episodes which work to upset and disarm the viewer. Mercedes McCambridge helped provide the raspy, vulgar voice of the possessed Blair. A disastrous and heavily panned sequel "The Exorcist II: The Heretic" starred an older Blair and Richard Burton.