The end of one of the best trilogies has ever made

Rating: 10/10 (9 August 2015)

Christopher Nolan gave to all of us a trilogy fully satisfactory, which gave the comic book adaptations to film a sense that you can adapt and still be authorial and interpretative so please everyone. It would be difficult for any director to overcome this movie, which for many today is the best movie based on comics, even for Nolan. Many people still consider The Dark Knight superior, while others consider The Dark Knight Rises even better, and many others, like me, find this third part as good as the previous film. If the previous film introduced us to a villain like the Joker, was necessary to use something as good. How would that be the ultimate chapter of the franchise forward, the filmmaker knew that the only character strong and impactive enough to match the Joker, and Bane, played by Tom Hardy, was the chosen. Many commented that Bane is not as big and strong as in the comics, which many others totally disagree. In the more realistic world of Christopher Nolan no room for supernatural beings. Bane is depicted as a villain rather strong and at various points his strength is impressive, especially in a key moment of the fight between him and Batman.
Another character who appears is Selina Kyle, the Catwoman, played by Anne Hathaway, who was able to prove his talent once again and proved to be a great Catwoman. She knew how to be sensual, provocative, intelligent, sarcastic and show impressive fighting skills, essential for the world's most famous cat, adapting well to climate realistic trilogy. Notice also that the makeup is perfect giving sensuality and charm needed, and clothing and black leather mask clinging, and cat ears of his uniform are the night vision goggles rested on her head, making her Catwoman inspired by the character 60s.
Joseph Gordon-Levitt is one that excels in interpreting Blake, who is a cop who has great admiration for Batman and seeks at all costs to help in the fight against Bane. Veterans Gary Oldman and Morgan Freeman are once again on the scene as the sovereign faithful squires of Bruce Wayne / Batman. But veterans of the highlight goes to Michael Caine, who is responsively several scenes of emotion alongside Christian Bale. The advice from Alfred to Bruce and his boss love and concern for the father he has for his kid are moving and generate the earliest moments of the film.
Christian Bale gets more than ever to develop Bruce Wayne and Batman. This script gives more emphasis to Bruce than Batman. Several pages of "The Dark Knight" by Frank Miller, serve as inspiration for the writers. Bruce is now a man unhappy and reclusive, but his spirit returns. However, the attitudes of the hero are different. Batman is more visceral in this film, leaving an interesting duality to the interpretation of the viewer.
Christopher Nolan has merit again trust the intelligence of the viewer, despite being the most self-explanatory of three long. Often the intentions and events are implied and causes a reflection.
There are amazing scenes and made so ingenious: we have the amazing scene of the kidnapping in the plane in which Bane first appeared; the scene that emphasized the football stadium; the scenes in which Batman bike and later of Catwoman appear are also awesome. Displacement effects of the wheels are amazing and provide thrilling action scenes. One is when Batman is chased on his motorcycle by virtually the entire police force of Gotham. Even preferring to perform his own stunts as realistically as possible and with few effects trickery and special effects, the aerial Bat are proof that Nolan knew perfectly combining live action with precise effects.
The scenes of police fighting against outlaws open chest in a real pitched battle is also striking, as well as sensational fight between Batman and Bane in a favorable scenario, the sewers of Gotham, instead of killing the wishes of fans of comics that both longed and imagined the famous scene of the comic being shown live action with mastery. A fight scene extremely dry, real long and left us even more tense with the absence of the soundtrack, only with the effects of sound effects. All this of course not to mention the final scenes of action that closed the story with a flourish and the crucial, as where Bane blows up buildings, bridges and other things simultaneously, leading in fact chaos to the city.
The soundtrack by Hans Zimmer is enormous so good. As in the previous track is responsible for his leaving the dark mood of Gotham more serious, more urgent. The suspense of the climax (from the scene of the football stadium), leaves the viewer uneasy with suspense and thrills others in the final scenes.
The photography Wally Pfister, longtime collaborator Nolan also never been so dark with strobe lights, chaotic, making everything much more gigantic and apocalyptic. The darker color palette blends perfectly with the saddest moments of Bruce or its uplifting moments.
With 2h45min long, the film goes too fast. You leave the theater with the certainty that vibrated, twisted, looked worried and was thrilled. This all gets even bigger when we know that Nolan and Bale will not return to the franchise over at Warner Brothers. The editor Lee Smith is less fluid and has abrupt cuts and drier than in previous years. It is arguably the greatest trilogy in its structure and has a balance between the action graph, emotion, suspense and even humor to your perfect formula. For the first time in history we have a perfect trilogy, which converges both in script and in action scenes and grandeur of plots, always in a growing complements the story goes next.