Good movie, if you don't say "Why?"

Rating: 7/10 (5 December 2012)

Christopher Nolan is indeed an ambitious and talented director and during his years of activity has made his special type of storytelling. Creating a suspensive atmosphere at the first minutes, working with a large number of main characters, smart and sometimes confusing use of flashbacks are some features of his filmmaking style. My favorite Nolan movie is Memento.
Let's start our TDKR issue with considering the positive points. Film is really well-made and despite its near 3 hours length seemed to me like a 60-minute Episode of a TV-Series. Story starts from the middle with events that we see their reasons in the second half. Script is very fast-paced and Nolan always has something to keep your mind busy. Action scenes, explosions and chases are also brilliant and eye-catching.
But what is wrong with the whole thing? Answer is simpleMr. Nolan has omitted a vital element called Logic. He grabs whatever he wants and places it wherever he thinks is necessary to keep the heat growing. If he needs no police in the town he creates a sudden bombing plan which guides all the Police forces in the city to the underground sewers and preserves them for three months and after that when he needs them again he pulls them out to form a grand man-to-man street fight with armed thugs.
Furthermore, the real incentives of the villain remain unclear. First he shows as an unstoppable annihilator whose mere goal is destroying the Gotham city with a nuclear bomb but after a time he turns out to be a revolution leader against the symbols of Capitalism (perhaps under the influence of FightClub movie!) .He exposes the police secrets in the TV and promises a better future for the people. But will someone answer me please; won't that bomb kill the same people? Even the Catwoman becomes one of the revolution accompanist when she denies helping Bruce Wayne against Bane's program at first.
There are more gaps in the story. For instance, that prison in the middle of nowhere which has a muscled man with a rope to help you escape instead of guards. Or how Bruce travels back to the Gotham so fast and encounter Catwoman in the street? But above all these my objection is to the greatest twist of the script. Why Bruce Wayne trust to an almost unknown woman and confide the control of Wayne enterprises and a potential nuclear bomb to her? Isn't that solely to force another unacceptable surprise to the movie?