Christopher Nolan's Master Piece

Rating: 10/10 (17 December 2016)

This isn't the first time Christopher Nolan directs a good movie. This time, with The Dark Night, we have a very different example. And why is it? Well, this isn't simply a good movie: this is, with no doubt, his best work until now, and a movie that is out-rightly perfect.
We can perfectly resume the script as sublime. There are many elements from the comics that are mixed in this film and taken into a "reality level" that I haven't seen before. In the other hand, we have a lot of characters who are introduced as very deep and human, and this is even harder to do. Of course, Bale, Eckhart and Ledger's acting are delirious in the best sense there could be, and they alongside Nolan make three incredible main characters. Nevertheless, secondary characters are also impressive.
Nolan has done a perfect movie, 150 minutes long and seems to be an hour and a half. There is no plot hole: everything is perfectly connected and tied. Yes, ladies and gentlemen, every single second of this film has a reason to be, has sense, and this makes of it an amazing job that not many have done before Nolan. Of course, "The Dark Night" is not the best movie ever made, but it doesn't even try to be.
I have read a lot of reviews saying that this film has faults, and these faults mentioned don't exist. For example, Dent's progression as a character. Many people criticize that there is no progression for Dent, that he becomes "Two Faces" from a second to the other, and there is no way to say such a thing. After Gordon's Death, Harvey gets mad and steals a vehicle. We can already see there what kind of change will he suffer. As well, after Rachael's stuff and death, Harvey lets his rage out in the hospital and the mighty Joker (before Ledger's Joker, I have seen actors being dresses AS Joker; Ledger, by the way, IS Joker) takes this opportunity to manipulate him. We can then conclude that Harvey starts his madness with Gordon and his police men, and he tries to pay it with him.
Another example would be the sequence with the boats: "the prisoners have no feelings". What Nolan is trying to show here is simple that in the worst situations, humanity is the most important thing. As the police are armed, it is logical that the prisoners do not try anything. As the ones in the other boat "mess around", we even find an allusion to Two Faces: one side who does something and the other one that does not, but in the end, we see that nobody has the courage to explode themselves or the others, and this is where Nolan is showing this "humanity".
Of course, there will always be people arguing against everything and saying that movies like "Spider-man 3" are much more deep. I always tell this people that "The Dark Night" denies it with its perfect ending. And that is everything to be said.