Director Christopher Nolan really knows how to shake a viewer around.

Rating: 9/10 (14 October 2008)

I'll be honest with everyone - I've never seen Batman Begins. Truth be told, I was not interested in it when it came out, because I thought it looked corny and there had already been too many Batman movies. But when 2008 rolled around and I saw the trailer for The Dark Knight before Get Smart, I was pumped. It looked like a total headrush, a dark and violent Batman that had never been before. It mimicked the original paths of the comics, and Heath Ledger looked like a man who would burn in Hell as the Joker. So I knew I had to see this movie, preferably on the big screen.
Director Christopher Nolan really knows how to shake a viewer around. His quick cuts during scenes leave the viewer barely hanging on from one shot to the next. This is a good thing, because none of what we see gets so boring or tedious that we zone out for a while. It's also a good way to keep the viewer on the edge of their seat, because the way that we zoom around from one action sequence involving Batman to a sequence that occurs the next day leaves the audience wondering what happened that we didn't see. It doesn't allow us to really contemplate what comes next, because we're so absorbed in the current predicament that we're not thinking about the next scene. The quick cuts allow twists and turns to be packed into the 2 and a half hour runtime, keeping The Dark Knight from becoming clichéd.
Christian Bale, I feel, plays Bruce Wayne better than he does Batman. Batman's growl, while needed to disguise his voice, feels too exaggerated. With the gadgets that Lucius (Morgan Freeman) comes up with, Batman should be able to have a better guise than Bale's polar bear growl. Yet Bale's emotions come through, especially when Rachel is the subject at hand. But even though Batman is the main protagonist, the film doesn't feel like it's actually about Batman.
The Joker seems to be more the main subject, even from the very beginning where the camera seems to be following Ledger as one of his minions. We, as the camera, seem to be silent observers in the Joker's carnage, even focusing on him as he blows up a hospital. The Batman seems second to the Joker, as if The Dark Knight is a clinical observation of the Joker's personality and mental disorders.
Ledger's portrayal is absolutely deserving of the early cries of Oscar nominations at the time of his death. I was afraid that his death would generate too much emotional love for him instead of actually focusing on his acting ability displayed in Knight, but after seeing his work with an attempt at an unbiased reaction, I can safely say that these commendations are correct. Ledger's role is visceral, emotional, disturbing, and even comedic. Ledger brought a gamut of adjectives to the Joker's character, most of which can be lumped into one category - devilish. Ledger's laugh and his unnerving calm even during some of the Joker's darkest scenes add to how depressing and black the atmospher of The Dark Knight really is.
The Dark Knight hits on so many themes of violence and paranoia, desperation and love, that it's hard to discuss in one review. However, The Dark Knight really pours on the darkness towards mankind. The violence the Joker creates with his hands, his misanthropic worldview, and his uncaring attitude towards anything besides committing arson on the whole world are chilling, and the script has many spine-tingling lines which go right to the core of the human soul. One of my favorite motifs that Knight touches on is the dilemma - the meaning - of what being a hero is. Everyone wants to be the hero - everything needs a hero, and what if there isn't one? What if Batman is just a do-good criminal? What does that do to society? Does it tear it down, or build a new hero? Can there be an innocent hero, or is that just naiveté? Also, much of what many people want to know is about the action. The Dark Knight is not full of fist- and gunfights, but when they happen, it's really hard to miss. Some are over-the-top, like a chase sequence in which Batman motors his Batmobile in front of an oncoming bazooka shot, or an exploding hospital that, from sky-level, looks like a gas station went up in one of your Hot Wheels toy models.
Others are pretty impressive, especially when Batman wrangles in Rachel while falling from a building. But all in all, The Dark Knight left me feeling like jumping down the escalator and beating up a masked guy stealing an old lady's purse, then jumping down the elevator shaft, rolling over my car, and then stopping to get coffee while battling armed robbers at the local Starbucks. That's pretty damn impressive.
If you're looking for a nice superhero movie to take the kids to, you might want to settle for the flop that is Spiderman 3. If you want a really dark, daring, fast-moving action-packed ride, with lots of thought involved, The Dark Knight is for you. It's Heath Ledger's final complete movie, and one of his best. This film's Joker may go down as the best in history - and you want to skip it to go see Mamma Mia!? Put this on your list of movies to see - Alfred and Bruce Wayne will be waiting to put you in your place if you don't. And Batman ain't too happy anymore.