Urgent pace and action makes it rise above the so-so plotting to be an efficient and exciting action movie (SPOILERS)

Rating: Null/10 (4 September 2007)

Simon Ross, a reporter with UK newspaper The Guardian writes a couple of articles on the mystery of Treadstone and Jason Bourne  he has not definite answers but the detail suggests that he has a source deep within the programme. CIA Deputy Director Vosen wants to silence this source as it could compromise his black ops units around the world. Meanwhile Jason Bourne, last seen in Russia, also wants to discover Simon Ross's source. The race is on  Bourne trying to learn more of his past, the CIA trying to close the door forever.
At the time of writing IMDb users have placed this film as #54 in the list of best all-time films and the sheer volume of praise for it is overwhelming. Now, on one hand, this film doesn't really deserve all this but I can understand why it has been the recipient of all of it because it has been a roundly terrible summer for blockbusters, trilogies especially. Thus when one that is enjoyable and effective came along it was no surprise that it stood out from the crowd. For this is what Bourne Ultimatum is. It is not brilliant nor "one of the greatest films ever made" but it is effective and thrilling to the point where I was happy to ignore the weaknesses.
And I disagree with others who suggest there are no weaknesses here because I maintain that the film (and the trilogy) is built on a very obvious narrative that offers few surprises but does offer plenty of opportunity for action. It is this action where the film excels and it is credit to Greengrass and his cinematographer for producing a film that feels urgent from the very start and most of the way through. I appreciate that some will dislike the constantly moving camera just as they did in Supremacy but for me it is the making of the film as it draws the audience so close into the action that the specific motivations for it become secondary. This means we can have an intense action scene in Turin where the majority of it does not relate to the bigger picture in regards the narrative. However I did find that the narrative could have done with a focus here and there as it doesn't explore the characters as much as I was hoping and the "conclusion" of the film is weak. The globe-trotting aspect of the film is a bonus as well and you can see why many compare Bourne to Bond. However this isn't just a cosmetic title on the screen  the film really uses the locations to good effect and is all the better for it.
The action is beautifully done though. The intensity and excitement of the action drives us forward; it does not need a pumping soundtrack or loads of obvious CGI, the camera does some of the work and the viewers do the rest. Witness the car chase in New York  nothing we have not seen before in terms of location but delivered with a documentary style that makes it feel all the more exciting. Another high is the fist fight between Bourne and Desh  almost silent and hard to follow but it is the proximity of the action that does the job.
Within this style the cast mostly pitch their performances to be clipped and urgent. Damon does sterling work as the invincible action man even if the material leaves him a little exposed. There is only so many times that I can see him climbing out of impossible wrecks without losing touch with him as a character. It is disappointing that we did not get to see Damon have to work his acting muscles more though  the "revelation" that Bourne volunteered for all he had done is badly handled and just brushed over  nowhere near the impact that it should have had that our "hero" is a baddie himself, and not because of the programme. Stiles is so-so but fills the role. Strathairn, Glenn and Allen are all good in their various CIA roles  nothing surprising but they do it effectively. Considine and Finney are both good presences. It isn't really an actors' film but everyone does the basics well enough.
Overall then this is a very effective and enjoyable action movie that benefits from an urgency and intimacy that comes from Greengrass' direction and total delivery. Far from the model of perfection that some have claimed but easily one of the best films of the summer (although for 2007 that is not necessarily a great recommendation).