Remember the original before you see the sequel.

Rating: 8/10 (23 July 2004)

(Note: I haven't read the book, so I have no idea how the film compares.)
**Minor Spoilers Ahead!**
The "Bourne Identity", based on Robert Ludlum's best-selling novel, tells the story of Jason Bourne, a black-ops agent working off the map for the United States government. When a mission goes awry, Bourne (Matt Damon) is left with a blank memory. As he follows the clues to reclaim his...uh...identity, Bourne runs into trouble with the authorities and teams up with Maria (Franka Potente), a transient young woman in whom he finds his only friend. As the two race around Europe, Bourne slowly rediscovers himself, while his supervisors in the U.S. attempt to track him down.
The premise of "Bourne Identity" is ideal to use a classic narrative technique: placing the audience in the shoes of a character. A la "The Matrix", the protagonist here is completely ignorant. Therefore the world and story of the movie can be unfolded and explained without slowing the pace, because information new to the audience is also new to Bourne. When a second confused character (Maria) is introduced, that factor is doubled, permitting Bourne himself to introduce both parties to his knowledge of the espionage world. This method sucks the viewer into the story and creates a greater attachment than in a standard flick.
Adding to the attraction of the film is Matt Damon's everyman appeal. Damon has never been an action hero, nor does he look a stereotypical beefy action star, along the lines of Schwarzenegger. But in this case the casting is perfect, because Bourne himself is uncomfortable in his own body. Damon nails the part by maintaining a paranoid state of mind with perpetually moving eyes and nervous gestures. The German-born Potente is another casting coup, as her unique appearance is a breath of fresh air, eschewing cookie-cutter American beauty for an earthier, healthier doe-eyed look that is refreshingly effective. With a supporting cast completed by such reliables as Chris Cooper, Clive Owen, and Brian Cox, the movie's acting is scarcely noticeable, which creates a "believable" world of espionage.
That world is a paranoid world, one that director Doug Liman ("Swingers"), cinematographer Oliver Wood ("Die Hard 2"), and crew represent on screen very well. Wood utilizes constantly moving, often hand-held, cameras, and the editing team of Saar Kline ("The Thin Red Line") & Christopher Rouse ("The Italian Job") features jumpy, nervous editing, all of which brilliantly emulate Bourne's fragile yet kinetic mental state.
Speaking of "The Italian Job", that's a decent comparison for "Bourne Identity". Although the latter is edgier and more complex, both have a European feel, with Bourne's obviously stemming from the entirely European setting. The old-fashioned yet physically beautiful locations are complemented by a rhythmic soundtrack that never soars but frequently hangs and lingers as the story proceeds.
"Bourne Identity" is classified as an action flick, but the action is decidedly different than that in other movies of the same genre. Containing very few special effects or CGI, the action centers on motion and pursuit, endowing the film with a edgier, more physical tone that is highlighted by a stellar car chase. Set in the middle of the movie, the sequence featuring a beat-up MG racing through the streets and alleys of Paris is the best cinematic chase since at least The Rock, if not long before that. The cat-and-mouse concept of the entire film is encapsulated in this quality set piece, which is more than just eye candy, serving also as a key turning point in the plot.
With surprisingly little face-to-face conflict present, scenes like this one must infuse the story with suspense, and that they do very well. While developmental parts are naturally but enjoyably slower, an underlying tension drives the entire story. Because it often spontaneously explodes to life early, that possibility persists throughout, moving it along like a people-mover, at a slow and steady pace that doesn't seem dangerous until something goes wrong.
Bottom Line: Rarely does an action-based movie feature such a compelling story and human characters. 8 of 10 for one of the most underrated and best action movies in recent years.