A near-masterpiece from Hitchcock.

Rating: 9/10 (25 November 1999)

Suggesting that "The Birds" is far superior to "Psycho" seems to be considered something of a crime by most Hitchcock fans, but I have to commit that "crime". I believe it's superior because it holds up better after repeated viewings. "Psycho" loses much of its impact if you're familiar with the final twist; in "The Birds" only the shock elements lose some of their power, but that gives you more time to appreciate Hitchcock's complete mastery of his film techniques. His direction is masterful, his pacing is methodical and there are several astonishing, ingenious sequences (the scene where the birds are gathering up behind Hedren is probably one of the greatest in his career).
Taylor and Hedren have a warm, believable chemistry as a pair. The job that has been done in the editing and sound-effects department is superb. And the ending has a wonderful apocalyptic quality. This is first-rate filmmaking. Many have tried to attach psychological or metaphysical "meanings" to the picture; I find it more enjoyable and rewarding on simpler, less complicated levels. It doesn't have much substance; it's just a flawless horror film and a winning love story, with some nice humorous moments.