Gets better with repeat viewings

Rating: 8/10 (26 May 2003)

One of those rare films that gets better with repeat viewings.
Aside from the hilarious writing and acting, we have a homage to every Marlowe/Archer/Sam Spade film every made. The young out of control wife, the rich old disabled husband, the eccentric strong minded daughter, the sinister pornographer, the beach town sheriff...
The premise of the film was: what would happen if you threw a man like the Dude into a typical L.A. film noir mystery? How would he cope? What would he do? Not much to base a film on, but it works.
Throughout the film, Bridges in the character of the Dude drifts like a beach ball in a swimming pool, bouncing off the sides, going in different directions. Listen to what he says, recycling everyone else's thoughts and words. He is a mirror reflecting everything back.
In many ways, he is infantile. His "beverage" of choice is a sweet milky White Russian. He listens to a recordiing of a bowling game while immersed in his tub, a womb like scene. The Dude avoids pain and suffering, which means he avoids growing up.
Ah, the writing! In the beginning of the film, there is a scene in the bowling alley with Goodman, Bridges, and Buscemi discussing Bridge's problem. Those few minutes of dialogue are some of the funniest ever written, but the scene wouldn't work without the subtle acting and sharp timing.
John Goodman owns the film; he takes his gift for comic acting to a new level. His character is full of rage and love -- he's a typical man. :)
Also rare in the film: every camera shot adds to the drama and meaning. It's a visual feast.
The Coen brothers scatter references and clues and jokes throughout the film -- only repeat viewings will show you the detail. Like the rug and the room, the Coens have really tied this movie together.