Its simple premise of one overcoming their crisis is emotionally captivating, effectively presented and thoroughly entertaining.

Rating: 7/10 (2 May 2014)

Swinging with high voltage visual effects and fantastic soundtracks, The Amazing Spider-Man 2: Rise of Electro perches above its peers. In a more video game or comic inspired illustration, the overall colorful tone works wonderfully, especially in larger scales fights such as in Times Square, it's baffling not many movies do battles in the famous location. Its multitude of talents does a great job in bringing the characters to life; chemistry between them is definitely present. Regardless of some flaws, narrative might get crowded sewing numerous plots and villains, the movie will most likely satisfy fans and casual viewers alike.
The story tells origins of Electro and Green Goblin, played by Jamie Foxx and Dane DeHaan respectively, both of which have awkward relationship with the titular hero. Their stories are a bit foreshadowing, even more so to those who have knowledge of the comic or seen the previous trilogy and this might just be too predictable for some. Nevertheless the movie does a decent job on modernizing the villains and keeping them grounded without being too comical, it's a good choice not to put Electro in green yellow spandex. Jamie Foxx certainly has charisma for the main villain, although the fanatic aspect of the character in early parts is odd. It's a bit silly and too old-fashioned for an origin tale, he then becomes more appropriately menacing later on, partly due the blue CG face.
Dane DeHaan is a suitable cast for Harry Osborn, I daresay even better than James Franco who previously donned the green cape. He's an eerie reminiscence of young Leonardo DiCaprio, even with similar hairdo. He takes the role of Harry into a darker more obsessed persona, one with volatile and conniving nature. Most of the movie is oriented in Peter Parker (Andrew Garfield) and Gwen Stacy (Emma Stone) as they struggle with emotion and passion. Both of them showcase personal touches; it's apparent that Garfield admirably tries to fill the protagonist role. Spider-Man is a closer more relatable superhero as he endures doubt, guilt, and even the things ordinary folks go through daily, Garfield plays to this strength pretty well. Props to Sally Field and Chris Cooper as parental figures, each the polar opposite of the other, complementing the hero and villain, respectively.
Graphic differs from the usual gritty mainstream superhero flicks, New York is displayed in all its vibrant wonder. At first, it seems a tad close to video game, but I fancy the distinct feel. When the movie talks about hope aplenty, it helps to view the world in radiance. Action is great, often taking camera angles close to Spider-Man, slowing down just barely at the moment of impact. The use of audio matches pretty well, Hans Zimmer is a master in this regard. Many techno dubstep tracks focused on Electro blazing in the background and electrically pumping adrenaline, it may appear ludicrous at first, but it fits the movie brilliantly. Pop and rock songs litter the movie, played just in the right time. The production value is aggressive and undeniably entertaining.
The story sadly may stutter throughout the movie, there are just too many angles to show. From the romance between the two, origins of villains, the lingering past, the pace sometimes take too long on certain element and not enough on some. Not to mention the transition can be cumbersome, it doesn't help that the usual coincidence and practical cliché plots still persist. The flaws are there, yet its entire cast and production value overshadow them. Its simple premise of one overcoming their crisis is emotionally captivating, effectively presented and thoroughly entertaining.