More successful in the romantic department than the sci-fi

Rating: 6/10 (29 July 2011)

On the night of a failed senatorial bid by David Norris (Matt Damon), he meets the mischievous and beautiful Elise (Emily Blunt) in a bathroom whilst rehearsing his losing speech. They instantly share a connection before kissing, and Norris leaves her feeling inspired, and makes a landmark speech that will put him into pole position for the next election. The two happen to meet again on a bus, and again the spark is re-ignited. Yet Norris is being tracked by mysterious men in hats who seem to be controlling fate and keeping everything in line with 'the plan' of the big man upstairs, and the couple being together seems to go against this plan. Determined not to lose who he thinks is his true love, Norris defies the suited men, and finds himself watched and chased at every turn.
Adapted from a short story by Philip K. Dick, The Adjustment Bureau is a pretty solid idea that is confidently played out, but seems thinly spread out over the course of a feature-length running time. The idea that our fate is being tampered with to keep things 'on course', and that our fate is out of our own hands is something that was done much better in 1999's The Matrix. This film, however, focuses less on the sci-fi aspects and more on the idea of 'true love', as Damon's David Norris is convinced that if something feels so comfortable and right, then it simply must be how things should be. John Slattery and Terence Stamp's suited agents are compelled to feel otherwise, although they don't know why.
If the romantic angle seems all a bit soppy, it's actually more convincingly done than the science fiction. Damon, although not the greatest actor in the world, is certainly likable as always, but it is Emily Blunt that comes out of the film most impressively. Her sweetness and laid-back quirks combined with her natural beauty makes for a love interest worth caring for, and you can understand the lengths that David goes to be with her. The magic hats, doors leading to anywhere, time freezing and fate maps are certainly quite interesting, but are so casually executed that often just seem silly, although these shady characters are played well by The Hurt Locker's Anthony Mackie, the ever-reliable Terence Stamp, and John Slattery, who I'm a big fan of from TV's Mad Men.
After 90 minutes of romance and the odd foot chase, I was expecting a thrilling climax that would perhaps throw in the odd surprise or two as well. But what I experienced was a half-arsed effort that rarely got the pulse racing, and a final scene that could be easily described as cop- out. It almost rendered everything I had seen prior to it pointless. However, this is still an enjoyable film with likable performances all round, and an intriguing idea at its heart, but very far from the best Dick adaptation.
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