Pulses with anger and energy

Rating: 8/10 (10 February 2016)

N.W.A.'s seminal 1988 hit F**k tha Police should now be, as well as a great song, a window into a darker, more brutal past that we can now look back at on in disbelief. Like Billie Holiday's haunting Strange Fruit and Bob Marley's Buffalo Soldier, the record paints an uncomfortable picture of the treatment of black people, specifically, in N.W.A.'s case, the willingness of police officers to beat on any young black teenager that happened to be standing in the wrong place at the wrong time. Sadly, with almost daily reports of police brutality still occurring in America, F**k tha Police is just as relevant as ever, and F. Gary Gray's Straight Outta Compton - the story of N.W.A. - pulses with the same anger and energy.
Even though it runs at just shy of three hours, Straight Outta Compton is forced to cram in a lot of incident from the ten-year period it covers, but still maintains its attention to detail throughout. Beginning in a Compton brimming with racial and gang tension, a young Andre "Dr. Dre" Young (Corey Hawkins), O'Shea "Ice Cube" Jackson (played by Cube's real-life song, O'Shea Jackson Jr.) and Antoine "DJ Yella" Carraby (Neil Brown Jr.) bring the house down with a performance of Gangsta Gangsta, much to the dislike of the club owner who disapproves of their aggressive style and confrontational lyrics. Seeking money to record, Dre turns to gang members Eric "Eazy-E" Wright (Jason Mitchell) and Lorenzo "MC Ren" Patterson (Aldis Hodge) for a cash injection, and following the release of hit Boyz-N-The-Hood, the N****z With Attitude are approached by manager Jerry Heller (Paul Giamatti).
What follows is the familiar biopic formula frothing at the brim with enough in-fighting, doomed business relationships, personal conflict and artistic milestones to fill twenty stand-alone documentaries. But Gray infuses the film with such ferocity and authenticity that its easy to forgive the films misgivings and be utterly enthralled by almost every scene. The live performances especially - and there are many - are utterly thrilling. Bolstered by the sheer raw brilliance of N.W.A.'s music and a terrific ensemble who all share an uncanny resemblance to their real-life counterparts (obviously in Jackson Jr.'s case), the film truly comes alive in these moments, whether it be in the concert hall or the recording studio. When the group defy Detroit police with a literal middle finger and belt out the song they were warned not to play, you feel like standing up and chanting with the crowd as the police swarm the stage.
The first half of Straight Outta Compton is the best, as the gang rise to fame and speak out against police brutality (the beating of Rodney King being the breaking point). Darkness looms and is teased with the presence of ex-con-turned-producer Suge Knight (played a terrifying R. Marcos Taylor) and Cube's increasing unease with Eazy E's blossoming business relationship with Heller. As Knight lays seeds of doubt in Dre's mind, everyone apart from Eazy seems to be getting screwed out of their money. The film strides along with swagger and attitude, with highlights including Eazy's crack deal gone slight awry in the opening scene and a one-shot tour of the band's hotel room as armed strangers come a-knocking.
The film then gives way to some slightly overwrought sentiment and a who's who of the 90's West Coast rappers. Snoop Dogg (Keith Stanfield) and 2Pac (Marcc Rose) show up for no reason whatsoever, and Eazy begins his rapid descent to an early death of AIDS in some not-so-subtle scenes depicting the deterioration of his health . A end credits montage seemingly celebrating the wealth of Dre and Cube as well reminding us of some of the not-so-great things they've done over the years (Dre was responsible for 50 Cent after all) also leaves a bad taste in the mouth. These things stop it from being great, but this is still one of the best movies I've seen this year. It's best to let yourself get swept up in 90's nostalgia, savour the fantastic music (unless you're a rap Nazi), and watch the world only now seen in fuzzy music videos feel alive once again.