Trumps A New Hope, but both a damn near perfect

Rating: 10/10 (30 July 2017)

As argued by Dante and Randal in Kevin Smith's slacker classic Clerks, the question of whether A New Hope or The Empire Strikes Back is the better movie is one of cinema's most popular debates. Episode IV's introduction to George Lucas' world of aliens, droids and intergalactic war struck a chord with audiences back in 1977, and continues to do so today. It is a fun good vs. evil story that only touches upon the spiritual elements of the 'Force' that we now know so well, and on the vastness of the universe it is set within. Personally, I have to agree with Dante's argument that Empire offers a darker and richer experience, which not only develops the series' mythology even further, but paints its characters with far more layers than seen before.
We no doubt have George Lucas' lack of involvement in the film's development for that, as the witty script by Leigh Bracket and Raiders of the Lost Ark scribe Lawrence Kasdan keeps the action both exciting and with consequence, as well as maintaining a firm grasp on the characters' complicated relationships and personal roles in the expanding story. Director Irvin Kershner, who took over after Lucas bailed following a troubled pre-production, also brings the best out of the actors. Empire really transformed what was an interesting idea drawing inspiration from classic sci-fi serials and the samurai films of Akira Kurosawa into the billion-dollar beast it is today. These films are now so deeply rooted in our culture that it's almost difficult to classify the original trilogy as mere movies, they have now become something else entirely.
After succeeding in blowing up the Empire's planet-destroying Death Star, the Rebels, led by Luke Skywalker (Mark Hamill), are hiding out on ice planet Hoth while the evil Darth Vader sends out trackers throughout the galaxy in the hope of tracking them down. Smuggler Han Solo (Harrison Ford) wants to repair his ship and get back to his old ways with trusted Wookiee friend Chewbacca (Peter Mayhew), but that doesn't prevent him from flirting with Leia (Carrie Fisher). When they are eventually spotted and the planet is attacked, the film does what most sequels do nowadays and splits everybody up. Han and Leia must escape through an asteroid field with the Empire in pursuit to seek refuge in Cloud City with old friend Lando Calrissian (Billy Dee Williams), while Luke seeks out Dagobah to learn the ways of the Force from Jedi master Yoda (Frank Oz).
Even though I have seen this movie countless times, the arm hairs still stand up when John Williams' fantastic score kicks in during the opening crawl. From the on, Empire delivers a relentless assault of riveting set-pieces and iconic moments, from the attack on Hoth which still stands up to most modern blockbusters, to the gob- smacking twist at the climax now so routinely, and lovingly, spoofed. It also takes Darth Vader to a new level of villainy, as the helmeted Sith lord relentlessly pursues the young man he feels is strong in the ways of the Force, and brutally takes out any of his own underlings who make the mistake of failing him. It's certainly dark, but it's easy to forget just how exciting and engrossing it is also. Ending at an incredibly low point for most of the good guys involved with only a sliver of hope on the horizon, I can't imagine how much fans were left wanting more back in 1980 as the credits rolled. It will always be superior to A New Hope in my book, but you can't have one without the other, and both are damn near perfect.