Spotlight - Spot on!

Rating: 9/10 (9 January 2016)

I had a feeling when I first saw Spotlight that it would be my favorite movie of the year, and it is. Exceptionally intelligently written, one of the best ensemble casts ever, it brilliantly portrayed how difficult dealing with child abuse in general is and how very difficult it was to deal with it in Boston when the biggest perpetrators were employees of the Catholic Church. It's a powerful and painful movie that never lost track of the importance of the past in dealing with horrors of the present.
I lived in Massachusetts in the '80s and '90s. I was horrified by the former Father James Porter case and utterly dismayed by how little things changed after that case became oh so public. Spotlight insightfully portrayed why things failed to change after former Father Porter went to jail.
The writers, Tom McCarthy & Josh Singer deserve all best original screenplay awards for 2015 hands down. I didn't see another movie all last year that was as solid as this movie. McCarthy also previously wrote & directed The Station Agent (Peter Dinklage, Patricia Clarkson & Bobby Carnivale) and The Visitor (Richard Jenkins) and wrote the story for one of the best animated features ever, Up. Almost everything he touches portrays real people like real people on camera and I love that (yes, even in Up).
I'd long been a fan of Michael Keaton and I'm very pleased that he's been in each of my favorite movies of the last two years (Birdman and Spotlight). Mark Ruffalo gave both a passionate and compassionate performance. And the actors who played the abuse survivors, particularly Neal Huff (Phil Saviano), Michael Cyril Creighton (Joe Crowley), and Jimmy LeBlanc (Patrick McSorely) captured the difficulties of telling their stories.
While much of this movie may come off as religion-bashing and a love letter to The Boston Globe, watch carefully because there were times when the Globe failed and other times when individuals in the Catholic Church tried to help and were rebuffed as no one (including the Globe) believed them.
When I look back at so many movies this year, I've seen many with great performances (like The Danish Girl and Concussion) but they seem to be lacking something in the storytelling. Spotlight lacks for nothing.