Unapologetic misuse of a loved character

Rating: 1/10 (3 August 2017)

Gone is the subtlety of previous attempts at stuffing cultural Marxism into our movies, Homecoming is a full-scale assault on western culture. Whether it is characters refusing to appreciate an American landmark because it was apparently "built by slaves", or the cast being "diverse" to the point there's barely a white face to be seen, this movie is communist politics disguised as entertainment - and I'm looking squarely at the writer, Goldstein, as being the first person responsible.
I watch movies like Spider-man in an ebbing attempt to escape this constant political assault on our society. It now seems impossible. But aside from all this, I watched Spider-man to see Spider-man. Unfortunately, they've practically changed everything that made him a good character.
Originally, Parker made his own suit and depended entirely on himself to navigate through the tough times, making his own decisions whether they were right or wrong. He depended on his spider-senses to warn him or help him. Now, his suit guides him, aids him and protects him. Iron Man routinely shows up to save him or shout at him, his annoying best friend knows his secret and helps him. In the end, even his (now young, hot and Italian) Aunt May discovers his secret!
Jon Favreau's character seems the designated angry-man when Stark isn't available to be angry at Parker. Maybe his anger towards Peter is something which could be explained by the fact he likes to hang around and meet young boys in school toilets for absolutely NO reason whatsoever...
The action sequences are equally weird. We see Spidey scurrying up the Washington Monument to save his friends at the top. The scene reminds me of John Cleese running towards the guards in Holy Grail, and resetting at the beginning each time he gets a little bit closer. Spider-man seems to take an eternity to reach the top and it saps all energy out of the action.
We also have the typical Marxist-favourite "Jesus sacrifice" pose as he holds together a seemingly unsinkable ferry, which has literally been sliced length-ways in half, yet stays afloat. At this point I was asking out aloud - can no one else see how ridiculous this is?
And that sums up this movie as far as I'm concerned. Ridiculous, slow, propaganda and I agree with Kirsten Dunst: A blatant cash grab. ________________________________
PS, this review received approx. 20 down-votes before I'd even had the chance to see it live. There's some very suspicious voting and reviewing happening around this movie.