The second weakest of the Craig Bonds

Rating: 5/10 (4 April 2016)

Although 'Casino Royale' is often considered the best Daniel Craig Bond film, my personal favourite is actually 'Skyfall'. That said, 'Casino Royale', after liking it well enough, fared much better on re-watch. 'Quantum of Solace' however was a major disappointment, and for me deserves its distinction as one of the worst of the series.
While the James Bond series has had its highs and lows, most of the films have been very enjoyable. At least three or four of Sean Connery's Bond films are among the best of the series (my personal favourite of the lot being 'Goldfinger'), with the only big misfire being 'Diamonds are Forever', despite one of the series' greatest theme songs. 'On Her Majesty's Secret Service' is also very good'. Roger Moore's films are mostly entertaining enough, though for me the only great one was 'The Spy Who Loved Me', with 'A View to a Kill' and 'Octopussy' (an unpopular opinion though) being two of the series' weakest. Wasn't crazy about Timothy Dalton's two entries, 'The Living Daylights' is the better of the two but is only decent. Pierce Brosnan's are not very popular with some Bond fans, for this viewer they're not bad; loved 'Goldeneye' and 'The World is Not Enough', liked 'Tomorrow Never Dies' and while 'Die Another Day' has enormous problems (especially Madonna's theme song being in the top 5 worst Bond themes, some cringe-worthy puns, over-silliness in the second half and an overload of CGI that was also pretty awful), I don't consider it that irredeemably bad, because it started off strongly and most of the performances were good, especially from Brosnan, Dench, Youn, Cleese and Pike, the only real sore spot being Madonna's cameo.
Starting with what is good about 'Spectre' it is mostly very stylishly made with great use of atmospheric and beautiful locations. Some of the action sequences are exciting, particularly the train sequence and the supercar chase through Rome. The Mexico City pre-credits sequence is also pretty epic. Sam Mendes' direction has its moments, with evidence of style, elegance and thrills. There are also some good performances. Daniel Craig is as charismatic and debonair as ever, handling the dramatic and action moments well, though there was a slight sense of him starting to get bored of the role (nowhere near as bad as Connery in 'Diamonds are Forever' though). Christoph Waltz is very good- if also rather underused- as the main villain, a role that suits him to the ground, playing him with smarmy, sinister relish. Ralph Fiennes is enjoyably starchy, David Bautista conveys some menace as assassin Hinx and Ben Whishaw brings genuine spark to Q.
However, for me, and other viewers too, 'Spectre' does suffer from some major problems. It particularly suffers from a confused tone, with a mix of violent action, humour with in the in-jokes and spy clichés, thriller and romance. While there are moments like some fun to spot references, neither component come off consistently or even that successfully. A good deal of the action is overblown and cartoonish rather than exciting (only the Rome chase and train sequence are memorable), with some the violence gratuitous. The humour is misplaced and border on parody that would have been more at home in something like 'Austin Powers'. The thriller elements do lack suspense and tension, due to parts that feel too recycled which gave it a real over-familiarity. Lastly, the romance is not interesting or developed at all, and has no natural or obvious chemistry.
Léa Seydoux is a rather vapid Bond girl with very little to her, while Monica Bellucci is pretty much wasted in a too-brief appearance. Hinx is for personal tastes rather underwritten, but David Bautista does do what he can and as said conveys some menace. Andrew Scott's C is an obnoxious character and played every bit as obnoxiously. The film is far too long by half an hour, drags in the second half, ends ridiculously and anti-climactically and contains a muddled script with clumsy over-congratulatory in-jokes and hackneyed, dreary dialogue and feels very overblown in places. Mendes shows a gift for visual style and drama but forgets the suspense and tension unfortunately, while the editing (though not as bad as 'Quantum of Solace') is enough to make one confused and seasick. Thomas Newman's score is somewhat repetitive, and Sam Smith's theme song- like most- did absolutely nothing for me and one of the most undeserved Oscar wins in recent years, for me it is certainly the most undeserved in the category that there's been too and one of my least favourite Bond themes. It's ballad-like feel is at odds with the style of the rest of the film and feels like there are more than one climax that never happens when it's meant to. Smith's singing does not fit the song either, it's a song that sounds like it requires a more powerful voice and more emotional connection, the falsetto (a sound and technique that in all honesty I've never liked) was completely out of place as well and made Smith sound like a wimp.
All in all, not as awful as it has been made out, and it is a better film than 'Quantum of Solace' but disappointing (especially with 'Skyfall' having been so good) and Craig's second weakest Bond. 5/10 Bethany Cox