"Sometimes the old ways are the best."

Rating: 9/10 (11 November 2012)

As the 23rd official James Bond film overall (and the third starring Daniel Craig), Skyfall starts off fresh and thrilling with a really impressive chase scene throughout Istanbul...then, the film and character literally plunges into the depths of stark new territory. The film does go on to cover some standard James Bond ground for the first act: Bond still hobnobs around casinos, drinks a vodka martini, chases after some girls...but throughout the second half, all of the stakes were raised so substantially, it pushed the characters to their limits. With all the bold, thrilling plot twists and turns, Skyfall is to 007 what The Dark Knight was to Batman: in both cases, the heroes tread along a knife's edge and go through extreme measures to ensure victory.
Rest assured, the film still entertains every bit as much as the other films of the franchise. Despite a few slow parts, most of it (especially in the last half) remains consistently suspenseful, thrilling, exciting, and even humorous at times. There are even a huge number of references and nods to established elements of Bond lore, and by the film's end, it feels as though one age of Bond has passed and another has begun (which is funny, because I thought the transition was more or less complete after Casino Royale and Quantum of Solace; it goes to show that the filmmakers still have some aces up their sleeves).
The story for this film is quite sound, and amazingly thoughtful. From the start, it emphasizes James Bond's seniority, as he suffers in the line of duty, feels the burden of aging, and as politicians put his usefulness into question. The film goes on to talk about the old vs the new, or the past vs the present, and it does an effective job of mixing the old and the new in interesting ways. These key themes and conflicts keep the plot running, and ultimately spurs newfound life and depth in the characters, for both Bond and the villain he ultimately uncovers. Their interactions prove to be quite profound; many of Bond's most memorable villains have been foil characters, but in this case, I really got the feeling that this villain would have been Bond himself if things were different. Given the character motivations, the rising stakes, and the ultimate climax, the film showcases one of the most unusual and most hard-hitting Bond stories of the lot. Purists may find it totally uninteresting, but it'll strike a stronger chord with the modern generation, for the film proves that James Bond is still the man.
As expected, the film looks nice and slick. A bit drab in terms of tone and color design (for better or for worse), but the camera work is decent, and the editing is good (thankfully, not nearly as screwy as Quantum of Solace). Acting is great; Daniel Craig is still perfect as James Bond, while Judi Dench continues to play it tough as M, and Javier Bardem puts on a nuanced performance (despite playing a rather weird, child-like character). Ralph Fiennes and Naomie Harris are both a pleasure to watch as well. The writing is quite slick, full of wit and depth. This production does a fine job with the sets, props, and costumes. I've seen plenty of folks complaining about the special effects, but they never really bothered me that much. Same with the music; I love Thomas Newman's score, regardless of how different it is from the usual works of David Arnold or John Barry. And, I do love Adele's theme song.
I definitely enjoyed this film, and it would rank pretty high on my list of favorite 007 films. Whether you're a fan or not, the film is certainly worth checking out.
Recommended!
4.5/5 (Entertainment: Very Good | Story: Very Good | Film: Very Good)