Awesome movie:-

Rating: 8/10 (3 May 2012)

This is one of awesome movie Sin City is the most exact adaptation of a comic book ever put on film. It's not one hundred percent the same, but it is as close as anyone is ever likely to come. Frank Miller's Sin City comic stories are a loving homage to the Mickey Spillane variety of pulp crime novels, and a showcase for the chiaroscuro technique and brilliant use of negative space that he had experimented with for years in the pages of Daredevil and Batman. Co-director Robert Rodriguez has taken three of Miller's stories and used the panels as the storyboards for the film adaptation, almost without alteration. The result is a mélange of film noir and the pulpiest of pulp crime novels into a new and extremely stylish piece of crime drama that is relentlessly entertaining.
Miller's potent black humor translates easily to the screen and lifts the often grim subject matter, keeping the film entertaining through the darkest of landscapes. And it does get extremely dark – figuratively and literally. Sin City is a world of shadows, captured in beautiful black and white digital photography, where the sun never seems to rise. Rodriguez and Miller delight in sending their heroes into labyrinthine hells almost beyond imagining. It would be depressing if it weren't so much fun.
Into this frenzied mix, Rodriguez has brought his own visual talents to create one of the most stylized films in years. He follows Miller's panels in lighting and composition, but adds his own sense of timing and splashes of color to create something new – call it film noir pent. It's Rodriguez strongest and most assured film since From Dusk Till Dawn. Quentin Tarantino steps in to guest direct a tense car sequence where dead Jack Rafferty becomes the voice of Dwight's nagging self- doubt.