Brutal, ultra-violent, GREAT!

Rating: 9/10 (31 March 2005)

Rodriguez throws you into the pages of the SIN CITY novels and the movie is much the better for it. Not only does the look mirror the novel, but much of the writing seems to have been retained. While some lines are awkward when spoken, it adds to the abstract, stylized reality that is created on the screen. And once you've adapted to the style of the movie, it's easy to let the stories work their magic. Are these future noir? 21st century horrors? It doesn't matter what it's called. The ride is new and captivating.
Who's had anything good to say about Mickey Rourke's acting in decades? They will now, since he turns in the most stellar job in what is generally an exemplary ensemble. (I say generally, since some of the younger actors seem to miss the feel of the material, like contemporary singers trying to perform 50s torch songs.) Even under a nose and chin of make-up, Rourke gives a disturbing humanity to an unlovable man. Or is he? Bruce Willis seems to turn in his best work in ensembles (PULP FICTION, 12 MONKEYS come to mind immediately) and his work in SIN CITY is no exception. And Clive Owen proves yet again that he can animate whatever material he's given. I don't want to slight the film's women, but it is the men who dominate SIN CITY. And it is the story of the three protagonists and their love for women that is the story of SIN CITY.