Inane.

Rating: 4/10 (29 December 2012)

Peppered with enough pointless slow mo and colourful explosions to keep most people happy Sherlock Holmes 2 is bloated and direction-less. It just about flirts with a vague and familiar plot involving an evil genius and a possible world war but never quite embraces it properly and fully. The film also manages to skip any meaningful character and story progression by virtue of a succession of languid expository sequences and monologues. Furthermore, it fails to engage or involve the audience as its overtly 'clever' central characters have to constantly remind us what is going on and more importantly, why we should care. The trick with this kind of movie is to show us the intellectual merit of our characters but to always let the audience be smarter, it has to be this way otherwise there is no connection, no cinematic symbiosis.
It is too easy to lambaste the film for not holding true to the source material, so i wont do that here but it is important to note that the film is astonishingly short on mystery or indeed, any interesting ideas. Instead we get so-called 'clever' disguises, whimsical plotting and an overwhelming sludge of absurdity more akin to that of a Tom Cruise era Mission Impossible film.
Finally, Guy Ritchie continues to be director of interest although this is not always due to the importance or success of his films. Indeed, he seems to have a few ideas up his sleeves but sadly gleams too much delight from showing us the same ones over and over again from project to project. How is the fighting between Sherlock and his faceless baddies here any different to Brad Pitt's bare knuckle forays in Snatch? Also, how long can we endure the Tarantino-lite, pseudo-intellectual rumblings of his central characters who seem intent on talking around the films hollow plotting with puffed up similes and mindless metaphors.
Anyways, this all results in the movie being a mildly watchable piece of cinematic pap.