"Let's Go to Work."

Rating: 10/10 (19 December 2012)

With the release of Quentin Tarantino's upcoming feature "Django Unchained," I wanted to use this opportunity in discussing a film that has redefined my love of movies and the medium in general. That film is called "Reservoir Dogs". Arguably one of the greatest directorial debuts ever made, this particular film opened my eyes and realize that independent cinema is a far superior alternative to the processed Hollywood fluff.
Dominant gangster Joe Cabot (played by the unforgettable Lawrence Tierney) gets together six dark-suited, color-coded criminals, unfamiliar to one another, to succeed a jewelry heist. Although destined to preserve their identities, their cover causes more difficulties when something goes very wrong during the robbery, designating a set-up. Everyone soon recognizes that one of the gang members is psychotic, but they have yet to discover that another is an undercover cop.
Armed with a budget of $1.3 million, Tarantino single-handily breaks every rule in conventional filmmaking: it uses nonlinear storytelling to explore the complex origins of the three main characters, Mr. White (Harvey Keitel), Mr. Blonde (Michael Madsen) and Mr. Orange (Tim Roth); it uses a soundtrack of '70s pop tunes to heighten the suspense instead of a predictable film score; and most importantly, it uses the opportunity not to show the heist in the film. According to Tarantino, the reason for this final statement was in his own words "initially budgetary," but I think the idea works because it allows viewers to participate in the film from beginning to end.
The violence in "Reservoir Dogs" was very graphic and sadistic not on the level of "Die Hard" but on the level of "The Wild Bunch". Ironically, it is played for dark-humor as seen in the infamous scene where a kidnapped cop's ear is being carved off with a razor blade to Stealer's Wheel's song 'Stuck in the Middle With You'. Whether you've cringed or laughed at this scene, this becomes a later crucial point in the film.
The film is indeed a modern classic of not only independent cinema, but is among the best Hollywood films of the '90s. By the way, I almost forget about the well-known commode story which is another great scene to watch.
Mr. Orange: What happens if the manager doesn't give you the diamonds? Mr. White: Cut off all of his fingers. The little ones.