Apparently, making sense is optional if you have a split screen.

Rating: 1/10 (28 November 2002)

It baffles me how Aronofsky has managed to fool audiences and critics to rave about not one but two nonsensical stories in the last few years. If you manage to keep your cool under the barrage of imagery thrown at you from frame one you should be able to spot plot holes in this film so large that they'll make Pi's nonsensical ending look like plausible narrative.
What bothers me most with these, apart from the fact that they make this film essentially pointless, is that they are all there simply to justify some supposedly shocking visuals. I can't help it, I must provide a list.

SPOILER SPACE (you shouldn't care, but it's the rules)
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1. Harry goes to a hospital to get his obviously gangrened arm cured. A doctor spots him as a drug addict and calls the police WITHOUT TENDING TO THE ARM FIRST. The weirdest thing about this is that the poor guy is later sent back to the hospital to have his arm cut off. The good part for Harry is that he should become a rich man in no time, after suing the doctor, the hospital and probably the police.
2. A dealer won't sell heroin for money, but he will trade it for sex. He could hire all the hookers he wants with the money he'd earn selling the heroin, specially considering he's the only provider for the whole city at that time. Still, all he wants is to see some lesbian sex live. Apparently, this is in the movie only to create tension between the lead and his girlfriend. Well, and to show Jennifer Connelly naked.
3. A previously healthy old lady is allowed to degenerate mentally to the point of being confined and given electroshocks without receiving any help, even though she's been shown previously socializing with many other people. For some reason the only person who realizes she's sick is his son, who doesn't care much for her anyway. Not that he does anything about it, either. Strangely enough, there's a shot of her friends waiting in the asylum looking worried while she receives electrical discharges without anesthetics.
4. Even though heroin can be injected practically anywhere, the lead will do it always in the same place. Even when the spot becomes a purulent wound he'll still do it the exact same position. Not an inch above, not in the other arm, not in a leg. Right in the middle of the wound.
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END SPOILERS (but there are more of these, believe me)
You know, I wouldn't worry about plot holes that much if the filmmakers had set out to create just a series of disgusting images to show them around. The thing is they didn't. They made an attempt to create something vaguely resembling a storyline, they even had a shot at a subtext. They simply failed miserably. Let's see, this film seems to be about addiction. The points made about addiction in the film are:
a) Many people have addictions of different kinds.
b) Addictions aren't good things.
c) Disgusting things happen when people let their addictions go out of control.
and maybe, just maybe...
d) With addictions at first you'll feel good, but then you'll feel bad.
So much for depth.
But we might also have some character development, right? We could neglect story and subtext and still have strong, compelling characters.
Just we don't.
Even the best of the characters we're shown is one dimensional and flat. Everything the characters are or do is put there to be dismantled later, which makes it all feel like a cardboard building in a Godzilla movie. It's fake and cheap. Everything. The leads' love story, the mother-son relationship, friendship between Harry and Tyrone, and between Sarah and the other women. Nothing feels real because Aronofski only cares about the next cool shot.
This film might get you distracted enough the first time you watch it and make you to believe there's some depth behind that nauseous feeling in your stomach. In the end, it's just empty imagery planned to create a nauseous feeling in your stomach.
If you want imagery go and see the latest summer blockbuster. It might at least be some fun.