"Slow and steady wins the race"

Rating: Null/10 (1 March 2004)

Once again, the Master of Suspense does not disappoint. Being a cinematic offspring with Hitchcock genes, one can expect the usual dose of intriguing mystery, baffling murders, beautiful blondes, never-ending suspense, and of course an occasional twist or two by the time the end rolls near. Alfred Hitchcock's Rear Window is a steady paced thriller that is guaranteed to keep your voyeuristic tendencies satisfied till the very end.
What's so special about Hitchcock's films is the fact that even though they seem to follow a certain suit, containing mysteries and murders, every one of them is original and one-of-a-kind, keeping them exciting and enticing to watch from time to time. This film achieves its excellence with its unique panoramas and buttery smooth cinematography. Hitchcock captures the very essence of L.B. Jeffries' neighborhood and its peculiarity without ever leaving his apartment, thus providing the audience an innovative cinematic setting with an obscure first-person view.
Jimmy Stewart plays the role of L.B. Jeffries, an adventurous photographer restricted to a wheelchair while waiting for his broken leg to mend. Confined in his New York apartment, he spends his time observing his unusual neighbors through his rear window provided with the subtle distractions of his blonde bombshell of a girlfriend, Lisa Fremont (Grace Kelly), who gives him the TLC he needs, and his trusty house nurse, Stella (Thelma Ritter), who provides the laughter for both him and the audience. In a flash, the film takes a different route with Hitchcock finesse and Jeffries is left with a view that leaves him baffled and stirred...
The suspense that progresses and builds throughout the story is nothing short of breathtaking. Many will be pleased with the intensity that binds this film's storyline as it fastens its pace. Even in this film Hitchcock still manages to hook the audience with perfect timing and skill that can only be attained through his many years of experience.
Many modern-day teenage viewers will complain that the beginning is rather slow. Without an objection, this reviewer can relate to their angst, but also reminds them that the reason for the slow pace is so that they can identify each of the characters as well as what's happening in the story as it picks up its speed till the very end, where hopefully, will have already stimulated their senses enough for them to enjoy the rest of the film. Nonetheless, this film is yet another favored classic to add under Hitchcock's belt for its simple, but forceful storyline and cinematic symbolism. Rear Window is a great film for anyone in the mood for a good mystery; just be sure to keep your voyeuristic tendencies at a safe, sane, and legal level.