The mother of countless silly action movies

Rating: 5/10 (10 April 2017)

Since everybody knows what this movie is about, mine will be a review of the strongest and weakest points. At the time of release, this seemed a brand new approach to storytelling. I am not surprised it was a big success: Harrison Ford was smoldering hot and the supporting cast was great, with a special mention to John Rhys-Davies.
With the passing of time and repeated views, I find the following weaknesses, common to many Spielberg (and action) movies:

the overbearing soundtrack. I know many love it, I cannot stand it anymore. During the truck chase scene, there is nothing but the loud orchestra score booming ceaselessly, while Indy gets beaten but bounces back like a rubber man

the thin plot. The search for the Ark is just an excuse to create one action scene after the other. They increase in violence and implausibility, until the last one, possibly the silliest of the movie

the last "action scene". The ritual proposed by Belloq serves no purpose, apart from providing a bombastic ending to Indy's troubles. Anyway, it is unbelievable to imagine that Nazi troops would indulge the request of the French archaeologist

the "super hero" nature of Indy. Despite the premise that he is a "normal" guy, Indy is shown to suffer only slightly from inhuman beatings

all the sequels. None managed to reach even half-way the level of "Raiders" and considering this one already had its flaws.

On the plus side:

there are some moments of humour, unfortunately not enough. The best is the famous scene of Indy shooting the huge, menacing black-clad guy in the market. For one precious scene like this, we have the long and pointless fight with the German guarding the plane, back to conventional narrative

an attractive hero with some intellectual pretense. Indy is supposed to be a beauty with a brain, contrary to way too many superheroes who are infesting the silver screen (even more so nowadays)

the ironic ending

Conclusion: what seemed an innocuous narrative that looked back to the old serial movies of the past, turned into a monster that spawned endless sequels and imitators, creating the action-without-soul blockbusters plaguing more than ever contemporary cinema.