"We all go a little mad sometimes."

Rating: 10/10 (14 November 2011)

Even amongst classic film legends such as Vertigo (1958) and The Birds (1963), arguably Alfred Hitchcock's most famous movie is Psycho (1960). Considered a horror icon, it excels in both cinematic tension as well as sheer terror. It accomplishes this through a variety of techniques, such as composer Bernard Herrmann's chilling score, or the ominous low-key lighting of John L. Russell's cinematography. Consider in itself the mise en scene of the creepy Bates Motel itself. But an important factor that some might overlook would be the editing, done by George Tomasini. Tomasini often worked with Hitchcock, this film being one of his major highlights. Though often subtle, but its presence can be detected throughout the film.
The editing in Psycho creates its mood and aids in revealing plot details. Without it, the film would not be what it is. We would be thrown off with Marion's ambitions, and certainly the bizarre and frightening nature of Norman would also be off key. Let alone that, the story itself would be lost in terms of interpretation of time. Each aspect of a film plays an irreducible role, and the same goes for editing.