Roberts is terrific in this fun variation on PYGMALION

Rating: 8/10 (4 May 2006)

In the film that made her an international superstar overnight, Julia Roberts is funny, charming, gorgeous, lovable, poised, and tons of other terrific adjectives. Just like Katharine Hepburn in the forties and Barbra Streisand in seventies, Roberts managed to take her own weaknesses (in her case, her large mouth, pointy eyes, huge teeth, and clumsy demeanor) and turn them into assets. In PRETTY WOMAN, Roberts made being good-naturedly gawky look chic and sexy. Anyone who still wonders why this woman became the top box office star of the nineties needs to re-watch this film again.
As for the film's story, it's basically yet another variation on PYGMALION/MY FAIR LADY, but it is totally energized by Robert's fresh and incandescent presence. Richard Gere is fine but a little on the stoic side as Roberts' modern-day Henry Higgins (I couldn't help but wish he would have displayed some more of his trademark intensity), but Laura San Giacomo and Hector Elizondo shine in memorable supporting roles. Best of all is veteran screen star Ralph Bellamy (THE AWFUL TRUTH, HIS GIRL Friday) who (at age 86) is funny and touching as Gere's business nemesis/father figure. Deftly directed by audience-pleaser Garry Marshal, PRETTY WOMAN is a must for individuals who like the romance emphasized in their romantic comedies.