A Visual Treat

Rating: 7/10 (19 November 2019)

This film was the winner of the Palme D'Or at Cannes. One can imagine a lengthy standing ovation being given by the elite, wealthy, rich attendees who wished to laud this condemnation of their ilk. Clearly, that is what some reviewers garnered from their viewing of this interesting film. But on the other hand, there are others who view this film as a balancing act, where there is no clear hero or villain. As such, it is a film that asks more questions than it answers.
One thing is certain: this film is a visual treat. Its portrayal of wealthy society and poorer culture pays great attention to detail. Spaces are wonderfully composed and scenes are so well framed, it is tempting to get lost in the visual details.
But there is a story to tell and it is compelling, even if it is sometimes confusing or even inconsistent. The point of view of the director is unclear until the ending. And even then, one wonders about the final lines, which might contradict what has gone before. The best clues to the intent of director Bong Joon Ho are his earlier films, like "Snowpiercer" or "Host", which feel less ambiguous.