Possibly the best Tarantino so far

Rating: 10/10 (6 January 2020)

The script is perfect. It cleverly uses the unpleasant threat of the Manson family, the overall strange and mystic feeling of L.A. living in their cars, and the three main characters: one describing the fear and anxiety we all have, one presenting the idealized and brave masculinity we wish to have, and one presenting the love for the art and the beauty of old Hollywood.
LDC, Brad Pitt and Margot Robbie all do a wonderful job, but Brad Pitt's performance is perfect. There are few scenes that are visually so perfect and intense that you will remember them for years.
I went to the cinema with my teenage children and their friends. Some of them were totally confused and bored, and I cannot blame them: the movie is complex, clever and based on the knowledge of Hollywood history, that it was totally beyond their understanding.
Most reviews explain that the main theme of the film is friendship which naturally is true. The deeper theme is the love for the film as an art form and the anxious pain of artists seeking acceptance. The film shows this in a visually amazing way, with a perfect rhythm and a perfect cast.
For me, this was pure art. It answered questions that I did not know I had until the movie answered them. And one additional note; this is a perfect movie to explain the concept of Chekhov's gun for those young movie goers who were not familiar with the concept before.
The film community has warmly accepted Tarantino which is presented in a beautiful way in the end.