Hitchcock Goes Mainstream

Rating: 10/10 (14 January 2009)

'North by Northwest' is not as experimental as 'Psycho'. Nor is it as confined as 'Rear Window' or as disturbing as 'Vertigo'. What it is, however, is a mainstream Hitchcock presenting an endlessly entertaining effort. One of the most satisfying spy thrillers, this case of mistaken identity plays out like an intelligent and explosive cat and mouse chase.
Hitchcock was always one to maintain tight control over every set, every shot. He loosens his reigns in 'North by Northwest' by making the United States of America his playing field. From New York to Chicago to Mount Rushmore, this captivating thriller is a grandiose and ambitious picture from the master of suspense. The result is a brilliantly realized picture whose entertainment value could rival today's Bond.
Cary Grant is electrifying as Roger Thornhill, an unsuspecting man mistaken for a mysterious Kaplan. His journey to keep his life becomes a mad dash to escape the hands of the law, and around every corner Grant faces a looming threat. Eva Marie Saint is fantastic as Grant's romantic interest who has much more invested in Thornhill than he ever suspects. The chemistry between the two is unmistakable, making every twist and turn along the way a brilliant sleight of hand only Hitchcock can deliver.
From a heart pounding chase in the middle of a cornfield to a thrilling climax on the face of Mount Rushmore, 'North by Northwest' provides many memorable moments that make this classic a wild ride from start to finish. Sweeping cinematography and vivid imagery only adds to this thrilling, funny, and romantic adventure that span across amber waves of grain and purple mountain majesties. 'North by Northwest' may very well be Hitchcock's most mainstream effort, and you'll savor every moment of it.
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