Luhrmann as a mainstream alternative

Rating: Null/10 (19 July 2001)

Transcending obvious generic labelling 'Moulin Rouge' appears part romance part musical part elaborate extravaganza. Although one avoids drawing parallels with avant-garde and Surrealism movements, Luhrmann's influences are certainly apparent. Opening reels feel like wafting discordant dreams, while in contrast stylistic flourishes and carton-esque sound effects so abundant in the opening act are thankfully sacrificed in the films tragic heart renching conclusion.
Expanding his acting range yet further McGregor moves away from the monotonous performance offered in 'Star Wars', his Christian is flawed and vulnerable yet willing to sacrifice sanity and reason in the name of love. Kidman's Satine is the bipolar opposite fearful of emotional involvement looking initially at love on a superficial basis; based solely on lust and possession. Of course despite the worldly honest performances from the two leads the true genius behind the film of course belongs to Luhrmann. His music video aesthetic feel is akin to 'Strictly Ballroom', drawing upon confidence and experience achieved in his involvement in 'La Boheme'.
Certainly a period film mutated by post-modern pop music references, 'Moulin Rouge's exuberance and energy appears fresh and imaginative. With its hallucinatory visuals, sumptuous sets and fanatic set pieces, Luhrmann once again confirms his stance as a mainstream alternative.