Burns to comprehend the maternal, allegorical and perverse reality

Rating: 9/10 (24 October 2017)

"Baby?", a powerful exclamation — which can be understood from any linguistic classification (denotative, interrogative, and affirmative) — made up of a pair of simple lexical items is the one with which superstar Oscar-winning Jennifer Lawrence opens and globalizes the leitmotif of an eccentric story that must be considered as a turbid orgy of shocks and varied properties camouflaged, metaphorically, by Darren Aronofsky, a filmmaker who spits out on our faces awkward truths without compassion, without consent, without prohibition. "mother!" is an outstanding diegeses on inexhaustible subjects that, anomalously, arrives with the stamp of a mega-American film studio; A motion picture that has more than enough justifications to become one of the most controversial, polarizing, ecstatic, avant-garde and imperative contemporary movie since "A Clockwork Orange" by Stanley Kubrick. Get ready, because Aronofsky has a lot to say.
This is the first and one of the few fortunate ones to be the subject of a critical analysis of their multi-perceptive meanings, namely, there are spoilers.
"¿Where are you leading me?" – "To the beginning"
This human metamorphosis might be divided into five stages that virtually demarcate its reagents and products:
Please, read my complete "mother!" review/breakdown here:
https://www.rottentomatoes.com/user/id/970406313/ratings