In space, only you can hear you scream

Rating: 9/10 (24 June 2009)

A limited budget and multiple referential nods (most notably, and rather effectively, to the 'countdown timer' plot device in Outland) do not detract from a relatively original main premise that is beautifully handled by Duncan Jones. If there is a flaw in the film, then perhaps it is in the lack of urgency shown by the main character(s) in the face of a rapidly approaching sticky-wicket destiny, together with some (I felt) improbable dialogue between the double leads; but then, who knows what you'd say to your doppelganger, should you ever cross paths? But this is mere hair-splitting, for the work is a thoroughly engrossing ride, demonstrating once again the old adage that no amount of special effects budgets can replace a good story well told. In particular, I felt the director generated enormous compassion towards Sam once he becomes aware of his origins/predicament, in a way that I'd perhaps only previously experienced in Blade Runner. A worthy addition to the 'man alone in space' sci-fi genre; 8/10.