Abrams steers the franchise back on course

Rating: 6/10 (6 August 2018)

The third instalment of the Mission: Impossible franchise took a while to get off the ground. Originally trusted to director David Fincher (which would have been fascinating to see), the Fight Club director opted out when another project caught his eye, so the reigns were passed to Joe Carnaghan, who had his supporting cast ready to go before a dispute with the studio resulted in his departure also. In stepped J.J. Abrams, who faced the difficult task of reviewing the previous movies' vastly different tones in order to settle on which Ethan Hunt he wanted to bring to the screen. Quite wisely, he went for a bit of both. This was the intuitive, opportunistic Hunt from Brian De Palma's well-staged original, rather than the trigger-happy super-agent from John Woo's effort. Yet he still retains an edge, and Abrams sets out his movie's darker tone from the get-go, as we start during the third act with Hunt in precarious situation with Philip Seymour Hoffman's big bad.
Hunt (Tom Cruise) has left the IMF in favour of a normal life with his bride-to-be Julia (Michelle Monaghan). He has kept the extent of his work for the government quiet and seems to be enjoying being a regular Joe, but his head is soon turned when fellow IMF agent John Musgrave (Billy Crudup) contacts him regarding his former protegee, Lindsay Farris (Keri Russell), who has gone missing in the field while investigating an arms dealer named Owen Davian (Hoffman). Hunt accepts the job and assembles a team (consisting of the returning Ving Rhames, as well as Jonathan Rhys Meyers and Maggie Q) to track her down, but when the mission goes spectacularly wrong, the group are left to track down an item known as the 'Rabbit's Foot', a device capable of global catastrophe. With the head of the IMF (Laurence Fishburne) breathing down his neck and Davian proving himself to be a ruthless and cunning foe, Hunt and the rest of his troupe face their most difficult task yet.
He may have been third choice (although he was cherry-picked by Cruise himself), but the then up-and-coming Abrams proved to be the perfect director to steer the series back on course without upsetting the tone. He finds a perfect balance, delivering spectacular set-pieces that Cruise is, as always, keen to sink his teeth into, as well as re-establishing the team element and tasking them with missions that require a combined effort, and not just Cruise blowing away bad guys in slow-motion. De Palma's original may have been spectacular on occasion, but this third instalment is probably the best of this opening trilogy. There is also an uncomfortable atmosphere throughout, and this is mainly down to Hoffman's spectacular turn as Davian. He is a one-note big bad, and hardly physically intimidating, yet Hoffman's dead-eyed delivery oozes menace, and when he threatens the lives of those closest to our hero, we completely accept that he's capable of butchering the innocent in his pursuit for riches and power. It's hardly new territory for the action genre, but Abrams should be credited with reinvigorating a franchise still going strong 22 years after it introduced itself.