An interesting exploration of the "Golden Age fallacy"

Rating: 8/10 (18 October 2011)

The ideas in this movie represent true intellectualism and shows at least a deeper and genuine intellectual understanding by its writer Woody Allen. The film explores the subtle nuances of what Allen calls the "Golden Age fallacy", the fallacy in thinking that living in a past time is somehow better or more romantic than the present one.
The movie is highly detailed and overflowing with sharp commentary and insights into many different ideas. Painting, literature, philosophy, "pseudo-intellectualism", pedantry, and many other areas are some of the ideas covered by this movie.
The movie is set in Paris and the scenes are filled with richness and overflowing with beauty. The actors portraying different historical artists are a real treat to watch and the overall sophistication of the dialogue and acting when the lead character is transported to the past is truly charming.
When the film switches back to the current age, it becomes a tad repulsive, which is probably something Allen intended in order to contrast with the romantic nature of the scenes set in the past. If there is one issue I have with it is that Rachel Mcadams character is a little too extremely obnoxious, to the point where the viewer becomes annoyed with the movie. But this again is probably something Allen intended.
Midnight In Paris is a richly detailed, truly intellectual, and beautiful romantic film that is definitely worth the time to watch.