The Greatest Movie Ever? Or the Worst? You decide.

Rating: 2/10 (19 July 2006)

OVERVIEW: Woody Allen finally does what no other screenwriter/filmmaker has ever even dared to attempt. Not only does he break every dark taboo, he simultaneously flirts with an idea which is bound to put him on the controversial side of the barbed wire fence: exploring the possibility that all men are not gold diggers, and that some men are attracted to women who are hot and sexy more so than they are attracted to women who are ugly and boring, despite their prominent fathers. I'll let the world judge him on that. I like my neutral image.
THEMATIC SPOILER WARNING: note: normally, you can mention a movie's theme without risking much spoilation, but because of the neoteric properties of this theme, just putting it out in the brisk of the air, we risk loss of nuance. Well, you've been warned, and without further ado, here are the two neoteric themes.
After committing a crime of passion (murder), you could be haunted by your crime, even up to the point where you might spill your wine glass near your laptop, even when your laptop is not in sleep mode. **don't you dare tell me THAT'S been done before, either, because I call bologna.
An opera aria can reveal a character's mood of tension, without the need for a direct line of dialogue for the actor which says, "My mood is tense." Benjamin Ligeri