Some truthful moments but needs a tighter focus

Rating: 7/10 (28 December 2019)

It's overlong and flabby, consistently interesting but ultimately fails to deliver. Every time it threatens to catch light, such as when the lawyers are locking horns and rehearsing their arguments, it seems to retreat into emotionalism. And we're left hanging, suspecting they're both exhausted by confrontational litigation but never told whether they get back together. She cuts his hair with some tenderness (a bit like when Bridget Fonda opens John Cusack's car lock in 'Singles') as if to suggest a reconciliation, but no conclusive evidence.