Sorrentino with no house music.

Rating: 6/10 (19 January 2020)

They love each other. It's hard to let go. But in the end Nicole gets everything she wants, find out that she can actually be a director and a successful actress, but screws up almost entirely the relationship with his husband. You could argue that every single thing does not really matter anymore to her and for her, as she states in the conversation with Nora, but that's her motivation. And the dialogue is so good in not really be able to go anywhere more specific. And the acting performed by S. Johansson and A. Driver is truly terrific and what really matters. It could be a Sorrentino kind of movie for what it matters, just without the house music and sheeps, because is all about the character as they reveal themselves to the audience. Nicole gets a positive arc while Charlie kinda gets over it after transforming himself into an insecure egoistic goofball. I don't like how this character is treated and the final scene, when Charlie gets to read Nicole's letter and gets a shoelace done, that's just WHAT IS THIS HOW YOU WANT TO END IT?
I'M so confused about this movie. I watched nearly three times and I still have mixed feelings. I hope A. Driver gets the Best Actor award.