A Visual Masterpiece

Rating: 8/10 (22 September 2003)

Greetings again from the darkness. Director Sofia Coppola has created a true piece of visual art. She has a gift of telling a story with very dialog. Her shots of Scarlett Johannsen (who is outstanding) looking over the Tokyo skyline from her hotel window are wonderful, as are the "peeping tom" shots of her exploring this fascinating world. Of course, what really makes this film work is the hound dog look and mannerisms of Bill Murray. He has the ability to appear ALMOST beaten by life, but still have a gleam of hope in his eyes and on his face. The scenes between the two lead have very little dialog, yet speak volumes for many in the audience. So many looking for who they are or what they are meant to be. The lifelong quest we all face. Did think maybe the marriage between Giovanni Ribisi and Scarlett could have been handled a little differently, but we do understand her pain. On the other hand, we never see Bill Murray's wife, but have a total understanding of his desire for more. Coppola uses windows and television to great effect as the two leads are always looking for something to connect with. This is real life touched with humor and sadness. Johannsen has 4 films coming out over the next year and I anxiously await each to see how she progresses as an actress. And Sofia Coppola has won my admiration for her talent and I will be first in line with her next project. Last thing, I know it is difficult to watch Bill Murray sing karoake without flashing back to his SNL days, but these are poignant moments and should not be spoiled by his baggage.