an indestructible no more his primal instincts ravaged he is the last of his kind as he walks his line here him roar one last time

Rating: 10/10 (21 March 2017)

Logan is like god of war in the PlayStation games sick of fighting looking to be left alone seeking revenge and sick of people dying in this 2hrs and 17mins it just feels like he has not care in the world here is the best film of the year so far director James mangold who done the original wolverine does the opposite of what a superhero film should feel and look this is what an end to a superheroes life is like a risky look that might alienate people but it gets it right Hugh Jackman gets to the heart of wolverine where his friends have died he is a superhero carer for charlies Xavier in his cerebrum little box in the middle of the Mexico desert with an albino watchdog called Caliban Hugh has learned how to play a lone wolf in wolverine and in this he is conflicted tired and vulnerable not like the young wolverine with zest but there is some life in the old dog but he is on his last legs as he needs medicine for Xavier's nightmare seizures that rattle everybody brain and only a few can survive his brain is a w.m.d Logan expects us to take it seriously – and we actually can because the last two were good this just blows the rest them out of the water he was young showing how indestructible he can be this one he is lost but finds a purpose when a stranger comes along Logan's darkness is not simply an aesthetic filter as in Batman v Superman Logan's darkness is not simply an aesthetic filter as was the case in Zack Snyder's Batman v Superman: Dawn of Justice; it emanates from within the character. It's ironic that the title shares some DNA with the famously campy 1970s sci-fi film, Logan's Run, in which people are considered obsolete at 30 and murdered. In its way, Logan is just as much about the pitilessness of the aging process, and Jackman's battle-scarred, stiffening body is as expressive in this regard as his perma-scowl of a face. It's taking him longer to heal, his eyes are never clear and one of his claws won't fully extend. This makes him less Logan's Run, more Logan's Limp. He's as battered a superhero as we've ever seen, and for the first time his body bears exterior witness to the inner torture that has always defined him. His body is the story.we go on a road trip of sorts through the through the Midwest through to Dakota The film's plot kicks into overdrive when Logan's fate becomes entangled with that of Laura (Keen), a close-to-feral young girl who brandishes claws and fury as fierce and lethal as Logan's own. As the unlikely trio go on the run, we see echoes of Logan himself in Laura's terrifying rage and the tentative emotional connection she forges with Xavier. It's one of many smart moves on the part of James Mangold, who does double duty as director and co-writer. Bringing Laura into the picture allows him to explore Logan's trauma, regret and hope through the filter of this pint-sized powerhouse's origin story But Logan does go defiantly against the grain by favouring melancholic mood and themes of mortality and deterioration over inflated, end-of-the-world stakes or grandiose action pyrotechnics So despite an almost pathological reluctance to get involved, Wolverine is drawn into the role of protector, in a manner that the screenplay, co-written by Mangold, Scott Frank and Michael Green, keeps from getting overly sentimental, while still providing the film with what little emotional uplift it has In an era of cinematic product homogenization there's no doubt that Logan is a risky proposition. But this is reportedly Jackman's last time donning those claws and chewing on that cigar. Considering it was his Wolverine, as the centerpiece of Bryan Singer's X-Men (2000), who launched the currently omnipresent superhero phenomenon in the first place, maybe the most appropriate thing would be that, with the brutal, melancholic elegy that is Logan, Wolverine remakes the superhero movie again, this time as a farewell. After 17 years and 8 other X-Men movies, Hugh Jackman returns as James 'Logan' Howlett aka Wolverine for one final time. Set in the near future, Logan currently makes a hopeless and depressing living as a limo driver for whoever gives him a call. No mutants have been born in over two decades and almost everyone he knows is either dead or doesn't care anymore. Professor Xavier (Patrick Stewart) is bedridden with a rapidly deteriorating mind and requires regular medication to keep his psychic abilities in check. These two have been surviving day to day and refusing to talk about the past until a young girl named Laura (Dafne Keen) comes along in need of Logan's protection. And as he finds people to help and hide out dark forces are never far behind testing Logan and the child out as well as her young gifted friends can Logan protect and get them to their safe haven but the journey is perilous To say any more would ruin one of the potential films of the year. You can definitely watch it having never seen an X-Men film before, but you just aren't going to get that emotional investment from knowing you're seeing an actor play a role he has become synonymous with for the very last time. Logan is full of surprises, not for kids, a great farewell to Hugh Jackmans role as Wolverine and overall just a fantastic film. We will miss Hugh in his iconic role but this is the definite role but I gave this a well deserving 10 its going to better at the box office that his other two wolverine