We can't all be lion tamers

Rating: 10/10 (27 March 2013)

Greetings again from the darkness. It's been over 50 years since the film's initial release and more than 20 since I last viewed it on the big screen. When Cinemark announced it as part of the Classic Film Series, I circled the date on my calendar. While most movies are best viewed in a theatre setting, no other film absolutely demands such a setting.
There are many elements that contribute to the well deserved "classic" label: David Lean's direction, Freddie Young's photography, the star-studded support cast, the historical significance, Maurice Jarre's iconic score, and of course, Peter O'Toole's standout and unusual performance. This is an action-adventure film with up close battle scenes filmed with no CGI aid. The famous shot of Omar Sharif's Sheriff Ali slowly making his initial appearance on the desert horizon is breathtaking on a 60 foot screen. Watching Lawrence's victory dance on top of the train is majestic in the theatre, and the big screen provides the necessary ominous feeling as the Arabs slowly navigate the blowing sands of the Nefud Desert.
T.E. Lawrence was a fascinating man, though there has been much debate about the film and his legend. Lawrence's own writings in "Seven Pillars of Wisdom" provided many details used by screenwriters Robert Bolt and Michael Wilson, as well as the writings of American photo-journalist Lowell Thomas ... depicted in the film as Jackson Bentley (Arthur Kennedy). The real life Thomas was looking for a hero and likely sensationalized his story of Lawrence, but most believe the foundation is fairly accurate.
While the story of T.E. Lawrence is incredibly interesting, the story in the film is somehow just part of the experience. Director David Lean's movie is a true experience for movie lovers. This was Mr. Lean's middle film of an incredible streak of three ... The Bridge on the River Kwai (1957) and Doctor Zhivago (1965) being the others. Lean insisted on filming on location, rather than in studio despite the nearly four hour run time. This decision drove the cost up, but allowed for the stunning visuals that set it apart.
In addition to O'Toole's performance, it is quite exciting to see the dynamic Omar Sharif, the powerful Anthony Quinn (as Auda abu Tayi), the classy Alec Guiness (as Prince Faisal), the kinda creepy Jose Ferrer, the familiar Jack Hawkins and the slightly slimy Claude Rains. Missing from this list is any actress. The movie features exactly zero speaking roles for women.
Maybe the only two actors of the era who could have competed with this fabulous landscape were Peter O'Toole and Marlon Brando. Brando was actually first cast as Lawrence, but soon dropped out to star in Mutiny on the Bounty. O'Toole's blue eyes and white robe created quite the contrast to the sandy desert. Speaking of contrast, the two times he admires his reflection in his knife are visual keys to his evolution from God complex to broken man. After attending the premiere, writer Noel Coward told O'Toole, "If you had been any prettier, the film would have been called Florence of Arabia."
The movie received 10 Oscar nominations. It walked away with 7 wins including Best Picture, Director, Cinematogapher, and Score. O'Toole lost out to Gregory Peck (To Kill a Mockingbird). Mr. O'Toole has received 8 Best Actor nominations without ever winning. Watching this film (more than once) is a must for any movie lover. The opportunities to view it in a theatre setting are quite rare, so please seize the chance should it present itself. Your four hour commitment will be rewarded with a movie memory you'll never lose.