The jewel in Dreamworks' crown

Rating: 7/10 (17 July 2016)

I must have seen Kung Fu Panda, either in its entirety or snippets here and there, over 20 times since its release in 2008. While its relatively simple tale of an underdog who has been laughed at throughout his entire life learning to fulfil his unexplored potential is nothing new, it remains effortlessly entertaining and the kind of film you can catch halfway through and still enjoy what it has to offer. Although the title promises plenty of fat jokes, and there are certainly plenty, the film goes beyond simply appealing to kids with sight gags by working in Chinese mysticism, some wonderful voice acting, and stunning animation that would only get better and more ambitious as the series went on.
Clumsy panda Po (Jack Black) lives in the Valley of Peace, a scenic ancient land in China overlooked by the Jade Palace, home to the legendary kung fu masters. While he dreams of joining the Furious Five - a gang of ass-kicking kung fu specialists consisting of Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogen), Viper (Lucy Liu) and Crane (David Cross) - Po spends his days making (and eating) noodles with his father Mr. Ping (James Hong). When he spectacularly enters the Palace during the choosing of the 'Dragon Warrior', Po finds himself picked out by the wise old Master Oogway (Randall Duk Kim) as the one to stop to the evil Tai Lung (Ian McShane), an escaped snow leopard seeking revenge on Master Shifu (Dustin Hoffman) and his Furious Five.
Taking inspiration from the Chinese kung-fu movies of the 1970's as well as American geek culture, Kung Fu Panda works as both as a physical comedy and an action spectacular. Although the characters frequently defy the laws of physics and seem incapable of getting hurt, the action scenes are well choreographed and exciting, with McShane voicing his role with whisker-twirling relish. There are also hints at backstories and questions raised about Po's past (why on Earth is his father a goose?), and the film is wise enough to leave the answers to future instalments and trusting in its simple introductory tale of a misfit finally finding a home. While the majority of the Five don't really find a moment to shine individually, Hoffman lends a certain gravitas to his tragic backstory and relationship with the deadly Tai Lung. The pratfalls will entertain the kids and the gentler moments will no doubt charm the adults, something that Dreamworks generally fails to do with its animated efforts, so it's no doubt that the series remains the jewel in it's crown.