A fitting end to Tarantinos revenge saga

Rating: 7/10 (20 March 2016)

While the decision to split Kill Bill, originally intended as a three-hour epic tale of revenge, into two separate movies was greeted by fans with accusations of greed. Whether this is true or whether the full version of Quentin Tarantino's homage to 70's exploitation was simply too much to consume in one sitting, it actually turns out to be a masterstroke. Volumes 1 and 2 incorporate two vastly different styles, both of which allow Tarantino to fully indulge his love for kung-fu movies and spaghetti westerns with ample time and care. These are two different movies, never forgetting that the character linking them together is Uma Thurman's determined The Bride.
Having dispatched O-Ren Ishii (Lucy Liu) and Vernita Green (Vivica A. Fox) in the first film, we first meet The Bride as she drives to her final target - Bill (David Carradine). To even consider this a spoiler would be failing to grasp the movies Tarantino is tipping his hat to, and the director makes a point of this by constantly shifting around the time-line. It's not so much about if she'll achieve her goal, but just how cool it will be when she does. Bill remained off screen for the bulk of Volume 1, seen either stroking his samurai sword and talking menacingly off-camera, but we meet him in his full glory almost instantly in Volume 2, as we are shown an extended version of the events that left The Bride shot in the head and left for dead.
First though, she must face Budd (Michael Madsen) and the one-eyed Elle Driver (Daryl Hannah). Budd is a tough, hard-drinking redneck working as a bouncer when he's not clumsily making margaritas in his trailer, and he is given a generous amount of screen-time and isn't let down by Madsen's gravelly performance. Similar to Tarantino's early films Reservoir Dogs (1992) and Pulp Fiction (1994), Budd's story is given a patient build-up before the burst of inevitable violence, portraying him as a beaten man awaiting his death at the hands of the woman he knows is coming for him. Just when his fate seems sealed, Tarantino slaps us in the face and turns his protagonists fortunes on their head, allowing for some down-time as we flash-back to The Bride's training with the formidable Pai Mei (Gordon Liu).
Pai Mei's chapter is the entire saga's crowning achievement, full of ridiculous crash-zooms and beard stroking that manages to poke fun at the genre, while at the same time warmly embracing and even transcending it. This leads The Bride to her face-off with Elle, which is a scene of such ferocity, humour and sheer bad-assery that it more than makes up for the creeping pace. As Bill, Carradine is a revelation, with Tarantino once again pulling an iconic actor out of obscurity to riff on the type of role they became famous for in the first place to deliver the performance of their career. An early version of the script had The Bride and Bill duelling to a sunset backdrop, but the low-key scrap opted for instead seems more fitting. Towards the climax, it seems that Tarantino is struggling with how to end his epic tale of revenge, but some minor bumps don't derail what is undoubtedly the most Tarantino-y of his catalogue, and certainly his most all-out fun.