Brilliant storytelling - stands on its own & superior to 'Vol. 1'

Rating: 9/10 (17 April 2004)

Not being a fan of "Kill Bill, Vol. 1" - it seemed pointless and lacked great dialogue - I was awfully apprehensive about "Vol. 2." And what a wonderful surprise "Vol. 2" turned out to be.
THIS is the film the first one should have been. Tarantino, again, offers a pastiche of genres, but, this time, packs it with a thoroughly engaging story, delightfully dark humor, dialogue that crackles and some inspired storytelling. "Vol. 2" isn't as violent. Not that I am averse to violence. But, unlike in "Vol. 1," where it just became tedious, here, the bloodletting is handled with great aplomb and makes perfect sense.
There are some marvelous moments in this second installment - a sensational trailer scene between Daryl Hannah (who hasn't looked this sexy in a movie in years) and the uncommonly gorgeous Uma Thurman; a terrific (and horrifying) sequence where the screen goes completely dark; a very funny Bride-Karen scene and some touching moments toward the end, made all the more believable in a movie of this sort because of an utterly convincing and captivating performance by Thurman.
She's fantastic as the vengeful bride. And this time around, she's given some brilliant dialogue to play with. It's typical Tarantino and a pleasure to listen to, especially when delivered by the likes of Thurman, whose timing is immaculate, Hannah and David Carradine.
Robert Richardson's cinematography is spectacular. The early black-and-white shot of Uma Thurman framed by the doorway of the Two Pines Wedding Chapel would have made John Ford proud. And, stick around to the very end. After all the end credits have rolled. You'll be rewarded with a nice surprise.
"Kill Bill, Vol. 2" is superb storytelling. From the very first frame to the last. If I had to sit through a disappointing "Vol. 1" to get to this, so be it. Because the payoff was truly worthwhile.