The mix that worked

Rating: 9/10 (29 June 2017)

Nothing in "Kill Bill" is original, and this is wonderful, we have Italian and French horror, Chinese kung fu movies, Japanese cinema, trash and even western movies, besides we have at least 15 films referenced here, among them; "THRILLER: A CRUEL PICTURE", "THE Chinese DRAGON", and especially "LADY SNOWBLOOD", and even "GHOST IN THE SHELL", that is, we have a film about movies bringing a Aesthetics and incredible direction and a unique soundtrack. The script even has its surprises, but is very common in its essence, it brings a history of revenge with typical endings of Mexican novels, but the legal one here is not the script that tells the history of the bride who was "dead" in its marriage and Which now seeks revenge, but the way it is told, mixing narrative lines, and in this volume 1 we do not have the beginning or the end, we only have the medium with little background's. We do not have a moral treated in the movie, and if we had it it would be cut in half spouting 27 liters of blood in a stylized way playing the only music possible to give perfection to the moment. The high point of the film, besides the references that Tarantino used to compose his work, references that create scenes and makes Kill Bill a movie of scenes, and therefore his separation in chapters is perfect, Tarantino plays with the camera, makes plans Spectacular sequences, makes 360 °, plays shadows, leaves the screen in PB, changes the photograph, changes the graphics, uses against light, does against plongée and plongée, it makes such a great mixture of techniques, that in the end we have a style completely Kill Bill is an unimaginable movie because all these features are used because they are inspired by several completely different films among themselves, in addition to their optimum sound mix and an amazing assemblage-The scene setting of the arrival of the bride to Japan is Incomparable - and all this gives a rhythm and dynamism in the movie that makes the 2 hours look like 15 minutes and make the viewer beg for more. And of course, we can not fail to mention his magnificent soundtrack, where we have from Bernad Hermann to Ennio Morricone, to Nancy Sinatra, the music is a character in the film, because she is always there, present and screaming, besides participating The rhythm of the long, characters and interact with the action, in addition to being wonderful, Kill Bill has one of the best movie soundtracks for me, even if not original. We do not have major highlights in this first volume, but even so, Uma Thurman is fine and holds the role. Tarantino abuses all his expertise in various areas of the film in this film, and proves that film is learned is watching film. Finally, "Kill Bill" is a movie that many, many will hate, find it coarse or even silly, but its beauty is intrinsic to the eyes of moviegoers and moviegoers and even those looking for something different. "Revenge is a dish that is eaten cold" - old Klingon proverb.