where post-modern "quotation" becomes rip-off

Rating: 1/10 (16 December 2003)

Before you get all excited about this movie, let me say that it is the best example of Tarantino's well having run dry. He no longer quotes from the language of film, creating his own unique text, but scrambles to use others ideas hoping that a cultural divide will hide his indedescretions. Do yourself a favour, reserve comment on this film until you have seen several of Miike Takashi's works.