Better than the last few films involving all these characters

Rating: 6/10 (21 November 2017)

With Marvel Studios now seemingly perfected the concept of making every superhero film fresh and new, several critics continue to bash Warner Brothers for continuously failing to replicate any of those elements into their comic book movie adaptations. That's actually hard to fully get on board with. As much as Warner Brother Studios continues to play catch up with their rival film studio, they have managed to pull through in certain areas. As divisive as Man of Steel (2013) and Batman V Superman: Dawn of Justice (2016) were to many viewers, Warner Brothers has managed to finally establish their set of shared movie universes. And as much flack as they get for stumbling along the way, they are persistent, you have to give them that. Now with their magnum opus here, finally bringing to life famous characters and successfully uniting them altogether, their end result is just okay. They got Wonder Woman (2017) right, so how did this turn out to be just okay? It's just a lot when it's all said and done.
Directed again by Zack Snyder, the plot follows the events of Batman V Superman: Dawn of Justice (2016) with the death of Superman (Henry Cavill). Fearing that with Superman gone, earth won't be able to defend itself from a new evil named Steppenwolf (voiced by Ciarán Hinds), Batman (Ben Affleck) gathers Wonder Woman (Gal Gadot), The Flash (Ezra Miller), Aquaman (Jason Momoa) and Cyborg (Ray Fisher) as backup. There's also a subplot about the possibility of resurrecting Superman using what is called a "mother box". According to Wonder Woman, there were three and if all were combined it would be the beginning of the end. The script was written by Chris Terrio and Joss Whedon of which both have had their share of successful films. Whedon is obviously known for leading Marvel's The Avengers (2012) and Serenity (2005). Chris Terrio was the writer to Batman V Superman: Dawn of Justice (2016) and Argo (2012). But even with this premise and setup, there are still problems to be had with the script.
Recurring supporting characters are almost pointless in this entry, except for a few. Actors like Jeremy Irons as Alfred and Joe Morton as Silas Stone are used because they are necessary for certain characters. However, other characters like Commissioner Gordon (J.K. Simmons), Lois Lane (Amy Adams), Martha Kent (Diane Lane), Hippolyta (Connie Nielsen) and even Mera (Amber Heard) are all characters that either can be reintroduced or debut for their first time in a another film. Jamming in all these other individuals throughout the movie just feel like the producers want everyone to remember these people exist. Another blunder is the whole cataclysmic plot device that somehow makes its way into every superhero film. Can there ever be a time where these kinds of things aren't used in ensemble movies? It's just a really tiresome setup. Lastly there's the concept of Superman's memory if he were to be brought back to life. If his memory does remain, how is it that he seems to remember only certain things?
However even with that said, there are components that do work in this film's favor. Gone is the dark and and ho-hum atmosphere of Man of Steel (2013) and Batman V Superman: Dawn of Justice (2016). Now the tone has shifted to where things are more as one would say, normal. On top of that, the actors who share the lens together share great on screen chemistry. Momoa, Gadot, Affleck, Miller and Fisher all have their moments to shine. Momoa and Miller are really the ones who steal the show; which is impressive. Especially for Momoa, since Aquaman has always been thought of being the harder superhero to adapt correctly. Some of their interactions together are based on prior decisions, while others are analyzed through the time a choice is made at that very moment. Either way, the dialog held between these individuals are done so in a way that is enjoyable and lets the audience know that these protagonists are not serious all the time. Yet when a call to arms is made, this is another area where this movie shines.
One thing's for sure, Zack Snyder knows how to create action spectacles and that's no different here. The action is better than his other efforts because the live-action doesn't look so much like a video game cut scene. This also in due part to Fabian Wagner's cinematography. Wagner, who has mostly used his skills on the small screen did an adequate job for this blockbuster. Many of the shots capture a lot of geography and hardly any of it is too close to make out. Wagner has filmed for the Game of Thrones and Sherlock series, and for Victor Frankenstein (2015). For music, the film score was composed this time by Danny Elfman. Thankfully Elfman really knows how to make a score work correctly. The drowning soundscapes of Hans Zimmer and Tom Holkenborg are hardly ever heard here and that's great. The Man of Steel (2013) theme is heard once but Elfman rightfully reuses John Williams' Superman (1978) theme and his own Batman (1989) theme during the film. That's classic music and it works better than anything else.
While it may still have its problems of over bloated character appearances and overused plot devices, this entry has slightly improved over passed blunders. The action still entertains, the on screen chemistry between actors is great, and the film score is more organic in sound.