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Rating: 9/10 (7 February 2016)

this film deserved better awards nominations for this film its 2hrs4mins i gave this film 9/10 because you would be rooting for a underdog who has to run a family house run down by a ruined family living under one roof with rudy played by Robert DI niro character a anger person his wife terry who has giving up on men due to her husband problems and has no get up and go joy played by Jen Lawrence had ambitions but due to her family ruin her dreams so she inspired to do something but has a complicated life and she like volcano ready to explode but keeps her rage in to inspire something unbelievable Jen deserves something for this you will be rooting for her it keeps you invested all the characters are brill as her x husband lives in the basement along with her father she helps out his business keeping it ruining Joy is the story of the title character, who has giving who rose to become founder and matriarch of a powerful family business dynasty. she looses her job as a a front of desk for a airline. The only thing she has going for her is she likes to tinker and has the work ethic to see a good idea through. So when she has a eureka moment after a failed excursion on her father's new girlfriend's boat, she quickly invents a household object that may just be her ticket out of systemic poverty.
I don't think I'm giving much away by saying the movie asks its audience to hinge their emotional cache on a mop. The self-wringing Miracle Mop to be exact, invented by honest-to-God real person Joy Mangano. Leave it to director David O. Russell to find a decent story in the life of a QVC luminary and keep it just this side of rational. The prologue of the film lovingly dedicates the movie to "daring women," which Joy certainly is but Russell wisely omits the last name to give the audience a universality. This too can be your story of success if you have grit and a good idea. It's a great theme in in crazy movie
. unlike Linings Playbook (2012) where the rushed, overlapping dialogue and melodramatic mugging serves to highlight the immediacy of, say dealing with the mob, here there's nothing holding us to the characters and their goals...except Joy. Russell seems to be aware of his own style and juxtaposes the lives on screen with an 80's era soap opera which consumes the life of Joy's mother. The parallel is interesting in theory
Not usually the voice of hope, I really wanted to like this movie. A movie about the positives of hard work and entrepreneurship has not hit theaters since Pursuit of Happyiness (2006). Yet out of all modern directors working today, David O. Russell feels like a quixotic mouthpiece for such a hopeful theme.