Why Todd Phillipps Made This Film

Rating: 10/10 (6 February 2020)

You will notice the far left journalists: the New York Times, Rolling Stone, The Guardian and the rest all despised "Joker." They made up different prevarications such as no fun, meaningless, nihilistic, dangerously provocative and on and on. The real reason they had to gang up on this film and Phillipps is that we are seeing this fantasy become reality in America.
The far left run cities: Los Angeles, San Francisco, New York, Baltimore, Detroit, Chicago and others look like Gotham. They are literally overflowing with filth, drug addicts, mental patients roaming free and bureaucrats running and enjoying it all. The are supported by hypocritical filmmakers with loads of money, politicians, and business leaders.
Phillipps is famous for non-PC, in-your-face comedy: rude, crude and breakout funny. But he cannot make films like that anymore. No one can. The far left speech police are violent, hate-filled, arrogant and stupendously self-righteous. Joker is the far left dystopia that is our future, coming soon to a neighborhood near you. They want the border eliminated, jails opened, locks broken and the rights of middle class citizens taken to allow mass bedlam.
They want the hard working, value driven bedrocks of society mutilated, defeated and destroyed in the ensuing melee. That has been their dream as under-realized by Marx, Lenin, Stalin, Hitler and modern socialists.
This is a great film. It is a monumental film. It is not a comedy, it is a horror film. It is the kind of horror film few people pay to see: psychological horror and terror. Then why has it already made more than a billion dollars? Because there are so many people cheering for this very outcome. Others see it for it's greatest value: a look at the future.