Spoilers here. Mediocre movie

Rating: 1/10 (11 May 2013)

Perhaps one of the laws of fiction, is that despite being fiction, the approach of history must be credible, as the magician's trick, plausible before our eyes, impossible within the rational but we want to believe. And Iron Man, a character rescued from lesser known Marvel comic books, is proposed since 2008 the beginning of a saga that draws, in my opinion, so that the contemporary world shows how the ideal or aspirational it to be: a successful playboy , millionaire, eccentric, intelligent and creative character named Tony Stark. The story, from its inception, has developed some traumas of Tony personal conflicts, friendly and loving. The mixture has attractive, its origin is traumatic, Tony Stark, untouchable, suffers an attack, is kidnapped, gets his lesson for being a creator and arms dealer who does not mind the conflicts and deaths caused by their having capitalist participates. Stark underwent surgery with an implant energy that prevents shrapnel it reaches the heart. So goes Iron Man and its sequel. But among the laws of history, in the third installment, Tony Stark attacked by anxiety attack mid-40s, starring many of the sequences of the plot of Iron Man 3 WITHOUT the armor that provides Iron Man, no longer attractive. While this is part of their trauma, the creation of 50 or more Ironmans detracts from the unique, the unusual, the reified in that symbolic element of the representation of the hero, the icon. This is a law of the comic book hero. The second law in failing Iron Man is a character, an icon should not break apart physically. Abused And this film the armor is now decomposed and recomposed and travels through the territory, handled virtually. These dynamic changes in history are slowly draining the movie to a mediocre one third version of the Iron Man comics stories often develop the conflict of man a hero, one who acquires ordinary supernatural powers and becomes unique and exceptional. But mortal man without powers, meritorious connotes building a character that will power, mind, desire for revenge and to do good, it conforms itself by gadgets, cloak, armor, almost supernatural human strength. In his case, the mere mortal strengthened, Batman, given for a unique trilogy of Christopher Nolan, in which, in the end, Bane literally bankrupt and breaks the mask over his face. This collapse is part of history, the rebirth of the hero who runs towards the end of the authentic self, his future, his lost love. But in Iron Man Character decomposition is his undoing. The character is disrupted, then the film falls apart. Tony Stark, meanwhile, strives to move its powers to third parties, Colonel Rhodes, and even the president of the United States of America is dressed in costume. Third Law: the hero is the sole bearer of its symbols, communication image it projects. Even Pepper Pots have acquired powers survives. Part of the drama of Batman in the Dark Knight is the inability to save the life of the alleged love starring Chapter, and understand that the hero's life is sad, complex, and that their condition represents the loss of those he loves. Iron Man, directed to a child audience, possibly care aspects, focuses on the gags, unless permitted darker issues a much more complex and developed as Nolan's Batman