Love one.

Rating: 8/10 (24 July 2015)

Similarly, Gravity may have seemed philosophically flimsier, but it made more sense (and arguably pushed the visual effects envelope further) than Interstellar. Nolan's regular composer Hans Zimmer has the measure of the madness, cooking up an eerie score that swerves from the creaky Goblin-Esquire horrors of mid-period Dario Argento to the imposing hallelujahs of what sounds like a massive church organ.
While the end result may not represent the pinnacle of Nolan's extraordinary career, it nevertheless reaffirms him as cinema's leading blockbuster auteur, a director who can stamp his singular vision on to every frame of a gargantuan team effort in the manner of Spielberg, Cameron and Kubrick. "Whose subconscious are we in?" asked Ellen Page in Inception. The answer here, as always, is unmistakably Nolan's