Pixar's best film since Toy Story 3 and one of their finest overall

Rating: 10/10 (24 July 2015)

Most of Pixar's films are wonderful (short films too), and while the three films made after Toy Story 3 weren't up to their top standards they were still better than most animation companies at their worst. Inside Out was nothing short of a masterwork, Pixar's best since Toy Story 3 and one of their best overall.
Pixar films can be relied upon to have great animation, and Inside Out certainly does have great animation. No, wonderful animation and some of the company's most ingeniously inventive, with gorgeously vibrant colours, a very imaginatively rendered setting (and the lands even more ingeniously done, the next land more so than the last), very meticulous and beautifully modelled backgrounds and clever character designs that match the emotions more than ideally. Michael Giacchino's sparkling, rousing and very charming score is one of my personal favourite scores of the year so far, and every bit as great as his score for Up.
A superb job was done with the script here too, the comedy is clever and witty without ever being forced and balances subtly with the drama, the drama is some of the most truly poignant of any Pixar film and it doesn't ever feel manipulative or overdone and it's very smartly insightful. The story, not one of THE most innovative concepts but is one of the more imaginative uses of it and is quite original for Pixar actually, goes at a slightly steadier pace than other Disney films, but still captivated. It was very easy to completely connect with Riley and her situation and this was easily the Pixar film since Toy Story 3 that I connected with emotionally the most, also one of Pixar's most moving stories quite easily.
Loved the characters too, Anger, Fear, Disgust and Bing Bong (the imaginary friend and the 'epitome of immaturity', without ever being annoying, his back story did bring a tear to the eye) stole every scene they were in, and even Sadness managed to crack some funny one-liners even in her depressive state. Joy also positively lights up the screen and Riley was easy to connect with and much more than just a stereotypical teen girl. The voice acting is splendid. Amy Poehler is note perfect as Joy with her spirited banter giving the character so much life while also bringing a human element to her as well, Lewis Black gives an explosively barn-storming turn as Anger, Phyllis Smith is amusing and affecting, Bill Hader and Mindy Kaling are similarly priceless and in a way that makes the characters of Fear and Disgust endearing rather than annoying, Richard Kind is innocently charming and Kyle MacLachlan and Diane Lane are appropriately compassionate.
Overall, a masterful return to form for Pixar. It's their best since Toy Story 3 and one of their best overall as well. 10/10 Bethany Cox