One of the best ever.

Rating: Null/10 (12 June 2018)

In Incredibles 2, how does writer/director Brad Bird make a family film that is adventure, thriller, and comedy? Well, he's had practice beginning with Iron Giant and Ratatouille and The Incredibles in between. With three distinct approaches to entertainment he has made a reputation of smart and fun and plain genius all over.
Incredibles 2 is super family fun as the family picks up where they left off, specifically leaving a track meet and pursuing The Underminer (John Ratzenberger), who is digging under the city with a giant corkscrew. The importance of this successful sequence is that it's the first time for the family to work as a team in public.
It's a regular family going through growing pains and a superhero family trying to reconcile its gifts with a society that the rules against them. That's right, super heroes have been outlawed because they're perceived as adding to the troubles. The answer lies in pursuing the law and changing it more than fighting a strange villain called The Screenslaver, who hypnotizes while you watch.
Obviously, a subtheme of this multilayered allegory is the enslavement of the populace to it screens. Yet, Bird does not enslave the audience to theme, e.g., a race sequence in which Elastigirl, Helen Parr (voice of Holly Hunter), chases a hover train taken over to head to destruction is as furious a ride on a motorcycle as you have ever seen.
Not all is heavy-duty: Baby Jack-Jack fights a raccoon, funny in himself, with baby showing hitherto unknown powers. The sequence is high humor using a baby as a rib-tickling comedian-hero. Add to this slapstick the light orchestration of composer Michael Giacchino and you have a sci-fi animation with soul.
That's the irony of this inspired animation and real life--sometimes even the good has to fight to be recognized, or to be legitimized: "You know it's crazy, right? To help my family, I gotta leave it. To fix the law, I gotta break it." (Helen Parr) Incredibles 2 is primarily about bringing back heroes to the public fold and figuring out how to break the law in order to fix it.
Furthermore, what's a super mom to do when duty calls and she must leave the family under the untrained care of dad, Bob Parr/Mr. Incredible (Craig T. Nelson). Bird doesn't make Bob a boob (although there are laughs at his expense), but rather has the rest of the family pitch in to help with major challenge, baby Jack-Jack with hitherto unknown super powers.
Bird recognizes the need for dads to fit in the management of the house, for instance, as he tries to untangle a mess with daughter Violet's (Sarah Vowell) date, who discovers she's a superhero. He misses their date, and dad must do some intricate counseling of his head-strong daughter. Even for a superhero, that's a tough challenge.
But the super heroism most prominent is that of Mom, as good an example of the best of #MeToo that allows a woman to be empowered publicly and fulfilled privately, with a little help from her family.
One of the best films of the year and in the animation canon for all time.