FLUFFY >>>FLUFFY>>> OH SO FLUFFY How to plageurize a script and do small rewrites in 10 days.

Rating: Null/10 (16 May 2004)

COPY - PASTE
(yes this review will have spelling errors...but if you can deal with this film, and many others like it...you can deal with the spelling errors.)
It works well. Do that to an entire screenplay and claim it as yours. Wow...what a cool concept. I think I'll try that with CASABLANCA.
Yeah, you've read the reviews. It's like many others ...blah...blah...blah...
It's very easy to predict and I didn't find either of them too convincing as their character's jobs are in jeopardy.
Why was Ben always so desperate to watch the New York Nicks game instead of trying to please the woman that he was set out to WIN the heart of?
Why was Andie not cruel enough after day 3? Her character was too lame and easy going.
I was hoping that she would tear him to shreds and really try to humiliate him to all extremes.
I was hoping that he would drool over her at every expense and be so sappy that it's uncontainably sick.
That would have been sooo cool to see. This was just FLUFF.
Why did Andie get to wear a 50 000 piece of jewellery just for walking into a business dinner?
With all the *MILLIONS OF DOLLARS* of Diamonds around? Why was there not ANY security or armed guards?
Why couldn't their breakup have been more violent and he tries to keep it.
I just didn't believe that either of them needed their jobs and that they had so much time on their hands.
New York is a hectic city, but it seemed SO slow paced here and easy going.
If that's the best either of them could do and the hardest confrontations they will face, then their life is as easy as eating melting chocolate. It's not hugely terrible, but still easy to appreciate.
Too sappy and too routine. Not a total waste of money or time, but if you've seen Pretty Woman, Never Been Kissed, Maid In Manhattan, 2 Weeks Notice or You've Got Mail and a slew of other "romance comedies" (which are rehashed edited and edited scripts from a "romance comedy script generator" screenplay program, then you've already seen this film.
Just for future reference...make the breakups so tear-jerking that the viewer wants to commit suicide...then you know it's a real breakup.
If I want flat cotton candy, I would go to the carnival and buy some and wait till it began to melt, not rent or buy a video.
Why do broken hearted "new lovers" always have to go out of town on a new job and how do they get the job so fast?
Why must broken hearted lovers always go to the train station, airport, bus terminal or docks to catch a vessel to take them away after a breakup? Why can't they just whip the TV at the wall in anger? What about their rent and all the furnishings and their clothes?
Why not have the newly separated run into the street and scream in anger and hostility and just be real? Introverted or extroverted. Maybe actually be careless and a slob or just outright lazy and depressed?
Why can't the chick be a total whore at this point? To be hellbent on her ex after they breakup is natural...except in Hollywood or New York where we all must hop on a plane/ship/bus/ and get the hell out of town with only a small suitcase.
Why do "new found lovers" always have an endless indisposable income and why are their apartments so clean? If they led such an active life as we always see them do? Why is the apartment always tidy, the dishes washed, the bathroom clean? Do they have more hours in the day than we do? The lucky bastards!
Why do supporting characters never really give ANY support aside from just trying to offer miniscule flat dialogue for brief moments of screentime.
Ah...all the little things that a REAL screenwriter thinks of.