A classic format in a Modern film

Rating: Null/10 (26 October 2000)

On the 5th or 6th viewing of this film, it finally occurred to me why it has seemed so wonderful all along. That is, besides the endearing cast, enjoyable sound track, and the fact that it has maintained the same wonderfully clever, and terribly accurate tone of Nick Hornsby's novel, despite slight plot deviations. What i realized is that this film follows precisely the structure of the best Comedies of remarriage that came out of hollywood in the 30's and 40's. Every aspect, from the significance of Laura's relationship to her father, to the contented and yet slightly ambiguous ending, falls directly into classic screwball comedy format. John Cusack, while believably portraying his character Rob, also brings with him his presence as a recognizable actor, and the traces of his former characters. To do so in a way that strengthens the role, rather than weakens it is a difficult task, and Cusack manages it as beautifully as anyone since Cary Grant or Katherine Hepburn.