The more I think about it, the less I like it.

Rating: 5/10 (21 June 2018)

The first two thirds of 'Hereditary (2018)' are essentially a drama that deal with poignant themes of grief and the accompanying guilt using a horror genre language, which is an interesting move that allows for a unique expression of the severity of these emotions. It is these moments that are the most effective as they tap into a universal fear and experience in a really realistic way that isn't necessarily used to frighten but is used to create emotional attachment to the characters and may perhaps illicit a genuine emotional response. Yet, I can't easily name another movie that falls apart so heavily thanks solely due to its ending, which intends to 'pull the rug out' from under its audience - and does so successfully - but comes at the cost of logic, investment and, most importantly, scariness. Instead of recontextualising the flick as one that embraces its new elements and intended reading in retrospect, it forces in nonsensical and previously unconsidered elements - via clunky exposition, no less - to frustrating, and sometimes unintentionally funny, effect. It honestly changes the entire affair for the worse, dampening the effect of all that came before it until the memory of any success all but fades. It's annoying, too, because the potential was there and I was definitely willing to put the effort in, eager to delve into the experience with an open mind and a watchful eye. I found my willingness to approach the film from an intellectual stand-point, as well as to give it the benefit of the doubt on a number of occasions, not to be rewarded, to say the least. The more I think about the picture, the less I like it. 5/10