Somebody at Marvel should have reeled Gunn in

Rating: 6/10 (10 May 2017)

After Marvel had struck gold with The Avengers in 2012, raking in over a billion dollars at the box-office, it seemed that the studio could do no wrong with their roster of superheroes, with Iron Man 3 going on to also break the billion mark in 2013, despite being one of the weakest in the franchise. When it was announced that they would be bringing the Guardians of the Galaxy, a relatively obscure, space-dwelling gang of misfits to the big screen, to some this seemed like their biggest risk yet, and one that could stop the Marvel Cinematic Universe in its tracks. James Gunn's spunky, colourful and idiosyncratic blend of B-movie quirkiness and big- budget thrills struck a chord with the audience, and this group of minor league superheroes only really known to comic book fans suddenly became a household name.
For fans of the first movie, there is plenty to enjoy in the sequel, which takes its 'Vol. 2' from the new playlist of '70s and '80s favourites on the soundtrack, usually pumping out of the retro walkman belonging to the group's leader, Peter Quill, AKA Star-Lord (Chris Pratt). Taking place almost immediately after the climax of the previous instalment, the gang are all present and ready to take on an intergalactic monster hoping to steal some valuable batteries from a golden, near-perfect race called the Sovereign. Gamora (Zoe Saldana) is stern-faced and struggling with her feelings for Quill; Drax (Dave Bautista) once again gets all the funniest lines and is the best thing in the movie; snarky weapons engineer Rocket (voiced by Bradley Cooper) seems eager to push everybody away as he tests his newly-forged bond with the other Guardians; and Groot (voiced by Vin Diesel) is a big-eyed baby, clumsily fumbling from one scene to the next and inspiring the most "aaahs" from the audience in the process.
When they inadvertently p**s off the Sovereign's leader Ayesha (Elizabeth Debicki), the Guardians find themselves marooned on an island. They have their arses saved by a mysterious figure who introduces himself as Ego (Kurt Russell), a character glimpsed in the opening flashback scene via some immaculate de-ageing CGI enjoying a courtship with Quill's mother. Ego is a Celestial, an ancient being who has manage to build an entire planet around him. To give him his full name, he is Ego the Living Planet, and he is also Quill's father. Themes of family run throughout the film, with Gamora constantly fighting with her returning sister Nebula (Karen Gillan), Drax forming a sibling-like bond with Ego's assistant Mantis (Pom Klementieff), Groot playing the role of the baby everybody is responsible for, and of course Quill's daddy issues. Also returning is blue-skinned Ravager Yondu (Michael Rooker), the guy who kidnapped Quill from Earth and raised him like a son.
Marvel directors have been vocal in their support for the hands-off approach taken by Kevin Feige, the man overlooking the entire Cinematic Universe, which goes some way to explain how they can attract such enormous talents as Taika Waititi and Ryan Coogler. Gunn has been given the key to the kingdom here, and he throws all of his Troma-taught wackiness at the screen. Space battles and gun- fights fill the screen, and while there's a bright, almost psychedelic visual pizazz to it all, there's a real lack of dramatic weight. Somebody at Marvel should have reeled Gunn in. With the constant quipping and '80s references going on, including an appearance from Pac-Man, it never really feels like the characters are in any danger, and even less so the galaxy. There's also an insistence on trying to squeeze humour out of every single scene. I don't remember one joke failing to land back in 2014, but there are plenty of moments in Vol. 2 that had me frustratingly straight- faced. In particular, one running joke involving a character named Taserface (Chris Sullivan) long outstays its welcome.
The film is as its most effective when exploring the quieter interactions between the wide roster of characters, and the Freudian issues brought along with Ego and his uncertain intentions. While the Fast & Furious franchise insists its mythos is built around 'family' by having Vin Diesel inform us so every 10 minutes, the Guardians genuinely feel like a tight unit brought together by their own troubled pasts. Rooker brings a lot of heart into his role of surrogate father facing a major turning point in his life, after he is exiled from the Ravagers by higher-up Stakar (Sylvester Stallone) and faces a mutiny led by Taserface. Gunn ultimately tries to bring too much to the table, piling on the jokes and special effects-laden set-pieces, as well attempting to introduce new characters who will surely play a larger role in future instalments. I left the cinema back in 2014 overjoyed and eager to see it again. Three years later, I left with a headache and a sore backside, but still with a fondness for the characters.